Sunny Memories Of Foreign Lands - Volume 2 - By Harriet Beecher Stowe




































































































 -  The Hebrew ritual, in a far more sensuous
age, had its sculptured cherubim, its pictorial and artistic wealth of
representation - Page 344
Sunny Memories Of Foreign Lands - Volume 2 - By Harriet Beecher Stowe - Page 344 of 455 - First - Home

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The Hebrew Ritual, In A Far More Sensuous Age, Had Its Sculptured Cherubim, Its Pictorial And Artistic Wealth Of Representation, Its Gorgeous Priestly Vestments, Its Incense, And Its Chants; And They Never Became, So Far As We Know, The Objects Of Idolatrous Veneration.

But I love to go back over and over the scenes of that cathedral; to look up those arches

That seem to me, in their buoyant lightness, to have not been made with hands, but to have shot up like an enchantment - to have risen like an aspiration, an impersonation of the upward sweep of the soul, in its loftiest moods of divine communion. There were about five minutes of feeling, worth all the discomforts of getting here; and it is only for some such short time that we can enjoy - then our prison door closes.

There are four painted glass windows, given by the King of Bavaria. I have got for H. the photograph of two of them, representing the birth and death of Christ. They are gorgeous paintings by the first masters. The windows round the choir were painted in a style that reminded me of our forests in autumn.

Well, after our sublimities came a farce. We went to St. Ursula's church, to see the bones of the eleven thousand virgins, who, the chronicle says, were slain here because they would not break their vows of chastity. I was much amused. As we entered the church, C. remarked impressively, "It is evident that these virgins have no connection with cologne water!" The fact was lamentably apparent. Doleful looking figures of virgins, painted in all the colors of the rainbow, were looking down upon us from all quarters; and in front, in a glass frame, was a bill of fare, in French, of the relics which could be served up to order.

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