Some
Old Ladies Now Amiably Offered To Change Places With Me, Evidently
Regarding Me As The Victim Of Some Singular Idiosyncrasy.
As I
changed, a light seemed to dawn on the old chimney's mind - a
good-natured one he was; he looked hard at me, and his whiffs became
fainter till at last they ceased, and he never smoked more till I was
safe out of the cars.
LETTER XLVI.
ERFURT, Saturday Evening.
MY DEAR: -
I have just been to Luther's cell in the old Augustine Convent, and if
my pilgrimage at Wittenberg was less interesting by the dirt and
discomfort of the actual present, here were surroundings less
calculated to jar on the frame the scene should inspire. It was about
sunset, - a very golden and beautiful one, and C. and I drove through
various streets of this old town. I believe I am peculiarly alive to
architectural excitements, for these old houses, with their strange
windows, odd chimneys, and quaint carvings, delight me wonderfully.
Many of them are almost gnome-like in their uncouthness; they please
me none the less for that.
We drove first to the cathedral, which, with an old deserted church,
seemingly part of itself, forms a pile of Gothic architecture, a
wilderness of spires, minarets, arches, and what not, more picturesque
than any cathedral I have seen. It stands high on a sort of platform
overlooking a military parade ground, and reached by a long flight of
steps.
The choir is very beautiful. I cannot describe how these lofty arches,
with their stained glass windows, touch my heart. Architecture never
can, and never will, produce their like again. They give us aspiration
in its highest form and noblest symbol, and wonderful was that mind
which conceived them. This choir so darkly bright, its stalls and
seats carved in black oak, its flame-like arches, gorgeous with
evening light, were a preparation and excitement of mind. Yet it's
remarkable about these old-time cathedrals, that while their is every
grand and solemn effect of architecture, there is also always an
abundance of subordinate parts, mean, tawdry, revolting, just like the
whole system they represent. Out of this beautiful choir I wanted to
tear all the tinsel fixtures on its altar, except two very good
pictures, and leave it in it noble simplicity.
I remarked here a black oak chandelier, which the guide said was taken
from the cathedral of Cologne. It was the very perfection of Gothic
carving, and resembled frostwork in its lightness. The floor of the
cathedral was covered with effigies in stone, trod smooth by the feet
of worshippers; so we living ones are ever walking above the dead,
though we do not always, as here, see the outward sign thereof.
From the cathedral we passed out, and stopped a moment to examine the
adjoining church, now deserted, but whose three graceful spires have a
peculiar beauty. After a turn upon the platform we descended, and
drove to the Augustine Convent, now used as an orphan asylum.
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