Essays Of Travel, By Robert Louis Stevenson


































































































 -   Now
whether he was the young man of one of my friends, or the brother
of one of them, or - Page 58
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Now Whether He Was The Young Man Of One Of My Friends, Or The Brother Of One Of Them, Or Indeed The Brother Of All, I Do Not Know; But They Incontinently Said That They Must Be Going, And Went Away Up The Path With Friendly Salutations.

I need not say that I found the lake and the moonlight rather dull after their departure, and speedily found my way back to potted herrings and whisky-and-water in the commercial room with my late fellow-traveller.

In the smoking-room there was a tall dark man with a moustache, in an ulster coat, who had got the best place and was monopolising most of the talk; and, as I came in, a whisper came round to me from both sides, that this was the manager of a London theatre. The presence of such a man was a great event for Keswick, and I must own that the manager showed himself equal to his position. He had a large fat pocket-book, from which he produced poem after poem, written on the backs of letters or hotel-bills; and nothing could be more humorous than his recitation of these elegant extracts, except perhaps the anecdotes with which he varied the entertainment. Seeing, I suppose, something less countrified in my appearance than in most of the company, he singled me out to corroborate some statements as to the depravity and vice of the aristocracy, and when he went on to describe some gilded saloon experiences, I am proud to say that he honoured my sagacity with one little covert wink before a second time appealing to me for confirmation. The wink was not thrown away; I went in up to the elbows with the manager, until I think that some of the glory of that great man settled by reflection upon me, and that I was as noticeably the second person in the smoking-room as he was the first. For a young man, this was a position of some distinction, I think you will admit. . . .

CHAPTER III - AN AUTUMN EFFECT - 1875

'Nous ne decrivons jamais mieux la nature que lorsque nous nous efforcons d'exprimer sobrement et simplement l'impression que nous en avons recue.' - M. ANDRE THEURIET, 'L'Automne dans les Bois,' Revue des Deux Mondes, 1st Oct. 1874, p.562. {2}

A country rapidly passed through under favourable auspices may leave upon us a unity of impression that would only be disturbed and dissipated if we stayed longer. Clear vision goes with the quick foot. Things fall for us into a sort of natural perspective when we see them for a moment in going by; we generalise boldly and simply, and are gone before the sun is overcast, before the rain falls, before the season can steal like a dial-hand from his figure, before the lights and shadows, shifting round towards nightfall, can show us the other side of things, and belie what they showed us in the morning.

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