Essays Of Travel, By Robert Louis Stevenson


































































































 -   In
the past all was at the choice of others; they chose, they
digested, they read aloud for us and - Page 109
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In The Past All Was At The Choice Of Others; They Chose, They Digested, They Read Aloud For Us And Sang To Their Own Tune The Books Of Childhood.

In the future we are to approach the silent, inexpressive type alone, like pioneers; and the choice of what we are to read is in our own hands thenceforward.

For instance, in the passages already adduced, I detect and applaud the ear of my old nurse; they were of her choice, and she imposed them on my infancy, reading the works of others as a poet would scarce dare to read his own; gloating on the rhythm, dwelling with delight on assonances and alliterations. I know very well my mother must have been all the while trying to educate my taste upon more secular authors; but the vigour and the continual opportunities of my nurse triumphed, and after a long search, I can find in these earliest volumes of my autobiography no mention of anything but nursery rhymes, the Bible, and Mr. M'Cheyne.

I suppose all children agree in looking back with delight on their school Readers. We might not now find so much pathos in 'Bingen on the Rhine,' 'A soldier of the Legion lay dying in Algiers,' or in 'The Soldier's Funeral,' in the declamation of which I was held to have surpassed myself. 'Robert's voice,' said the master on this memorable occasion, 'is not strong, but impressive': an opinion which I was fool enough to carry home to my father; who roasted me for years in consequence. I am sure one should not be so deliciously tickled by the humorous pieces:-

'What, crusty? cries Will in a taking, Who would not be crusty with half a year's baking?'

I think this quip would leave us cold. The 'Isles of Greece' seem rather tawdry too; but on the 'Address to the Ocean,' or on 'The Dying Gladiator,' 'time has writ no wrinkle.'

'Tis the morn, but dim and dark, Whither flies the silent lark?' -

does the reader recall the moment when his eye first fell upon these lines in the Fourth Reader; and 'surprised with joy, impatient as the wind,' he plunged into the sequel? And there was another piece, this time in prose, which none can have forgotten; many like me must have searched Dickens with zeal to find it again, and in its proper context, and have perhaps been conscious of some inconsiderable measure of disappointment, that it was only Tom Pinch who drove, in such a pomp of poetry, to London.

But in the Reader we are still under guides. What a boy turns out for himself, as he rummages the bookshelves, is the real test and pleasure. My father's library was a spot of some austerity; the proceedings of learned societies, some Latin divinity, cyclopaedias, physical science, and, above all, optics, held the chief place upon the shelves, and it was only in holes and corners that anything really legible existed as by accident.

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