The
Kneeling Narcissus Is A Striking Figure, And The Expression
Admirable.
The two Bacchi are perfectly well executed; but (to my
shame be it spoken) I prefer to the antique that which is the
work of Michael Angelo Buonaroti, concerning which the story is
told which you well know.
The artist having been blamed by some
pretended connoisseurs, for not imitating the manner of the
ancients, is said to have privately finished this Bacchus, and
buried it, after having broke off an arm, which he kept as a
voucher. The statue, being dug up by accident, was allowed by the
best judges, to be a perfect antique; upon which Buonaroti
produced the arm, and claimed his own work. Bianchi looks upon
this as a fable; but owns that Vasari tells such another of a
child cut in marble by the same artist, which being carried to
Rome, and kept for some time under ground, was dug up as an
antique, and sold for a great deal of money. I was likewise
attracted by the Morpheus in touchstone, which is described by
Addison, who, by the bye, notwithstanding all his taste, has been
convicted by Bianchi of several gross blunders in his account of
this gallery.
With respect to the famous Venus Pontia, commonly called de
Medicis, which was found at Tivoli, and is kept in a separate
apartment called the Tribuna, I believe I ought to be intirely
silent, or at least conceal my real sentiments, which will
otherwise appear equally absurd and presumptuous.
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