Travels Through France And Italy By Tobias Smollett
































































































 -  It must be owned indeed 
that the fountains have their merit in the way of sculpture and 
architecture; and that - Page 217
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It Must Be Owned Indeed That The Fountains Have Their Merit In The Way Of Sculpture And Architecture; And That Here Is A Great Number Of Statues Which Merit Attention:

But they serve only to encumber the ground, and destroy that effect of rural simplicity, which our gardens are designed to produce.

In a word, here we see a variety of walks and groves and fountains, a wood of four hundred pines, a paddock with a few meagre deer, a flower-garden, an aviary, a grotto, and a fish-pond; and in spite of all these particulars, it is, in my opinion, a very contemptible garden, when compared to that of Stowe in Buckinghamshire, or even to those of Kensington and Richmond. The Italians understand, because they study, the excellencies of art; but they have no idea of the beauties of nature. This Villa Pinciana, which belongs to the Borghese family, would make a complete academy for painting and sculpture, especially for the study of antient marbles; for, exclusive of the statues and busts in the garden, and the vast collection in the different apartments, almost the whole outside of the house is covered with curious pieces in basso and alto relievo. The most masterly is that of Curtius on horseback, leaping into the gulph or opening of the earth, which is said to have closed on receiving this sacrifice. Among the exhibitions of art within the house, I was much struck with a Bacchus, and the death of Meleager, represented on an antient sepulchre. There is also an admirable statue of Silenus, with the infant Bacchus in his arms; a most beautiful gladiator; a curious Moor of black marble, with a shirt of white alabaster; a finely proportioned bull of black marble also, standing upon a table of alabaster; a black gipsey with a head, hands, and feet of brass; and the famous hermaphrodite, which vies with that of Florence: though the most curious circumstance of this article, is the mattrass executed and placed by Bernini, with such art and dexterity, that to the view, it rivals the softness of wool, and seems to retain the marks of pressure, according to the figure of the superincumbent statue. Let us likewise own, for the honour of the moderns, that the same artist has produced two fine statues, which we find among the ornaments of this villa, namely, a David with his sling in the attitude of throwing the stone at the giant Goliah; and a Daphne changing into laurel at the approach of Apollo. On the base of this figure, are the two following elegant lines, written by pope Urban VIII. in his younger years.

Quisquis amans sequitur fugitivae gaudia formae, Fronde manus implet, baccas vel carpit amaras.

Who pants for fleeting Beauty, vain pursuit! Shall barren Leaves obtain, or bitter fruit.

I ought not to forget two exquisite antique statues of Venus, the weeping slave, and the youth pulling a thorn out of his foot.

I do not pretend to give a methodical detail of the curiosities of Rome:

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