A Visit To Iceland And The Scandinavian North By Madame Ida Pfeiffer































































































 -   The pulpit and altar
are so entirely without decoration, that, on first entering, they
wholly escape notice.

In the Christianensburg - Page 18
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The Pulpit And Altar Are So Entirely Without Decoration, That, On First Entering, They Wholly Escape Notice.

In the "Christianensburg" is also the "Northern Museum," peculiarly rich in specimens of the ornaments, weapons, musical instruments, and other mementoes of northern nations.

The Winter Riding-school, in which concerts are frequently given, is large and symmetrical. I admired the stalls, and yet more the grey horses which occupied them - descendants of the pure Arabian and wild Norwegian breeds - creatures with long manes and tails of fine silky hair. Every one who sees these horses, whether he be a connoisseur or one of the uninitiated, must admire them.

Adjoining the "Christianensburg" is Thorwaldsen's Museum, a square building with fine saloons, lighted from above. When I saw it, it was not completed; the walls were being painted in fresco by some of the first native artists. The sculptured treasures were there, but unfortunately yet unpacked.

In the midst of the courtyard Thorwaldsen's mausoleum is being erected. There his ashes will rest, with his exquisitely finished lion as a gravestone above them. {15}

The largest among the churches is the "Woman's Church." The building has no architectural beauty; the pillars, galleries, and cupola are all of wood, covered with a mixture of sand and plaster. But whatever may be wanting in outward splendour is compensated by its contents, for this church contains the masterpieces of Thorwaldsen. At the high altar stands his glorious figure of our Saviour, in the niches of the wall his colossal twelve apostles.

In the contemplation of these works we forget the plainness of the building which contains them. May the fates be prosperous, and no conflagration reach this church, built as it is half of wood!

The Catholic Church is small, but tasteful beyond expression. The late emperor of Austria presented to it a good full-toned organ, and two oil-paintings, one by Kuppelweiser, the other by a pupil of this master.

In the "Museum of Arts" I was most interested in the ancient chair, used in days of yore by Tycho de Brahe. {16}

The Exchange is a curious ancient building. It is very long and narrow, and surmounted by nine peaks, from the centre of which protrudes a remarkable pointed tower, formed of four crocodiles' tails intertwined.

The hall itself is small, low, and dark; it contains a full-length portrait in oil of Tycho de Brahe. Nearly all the upper part of the building is converted into a kind of bazaar, and the lower portion contains a number of small and dingy booths.

Several canals, having an outlet into the sea, give a peculiar charm to the town. They are, in fact, so many markets; for the craft lying in them are laden with provisions of all kinds, which are here offered for sale.

The Sailors' Town, adjoining Copenhagen, and situated near the harbour, is singularly neat and pretty. It consists of three long, broad, straight streets, built of houses looking so exactly alike, that on a foggy night an accurate knowledge of the locality is requisite to know one from the other.

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