Diary Of A Pilgrimage By Jerome K. Jerome




























































































 - 

In the tableau representing the return of the spies from Canaan,
some four or five hundred men, women and children - Page 63
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"In The Tableau Representing The Return Of The Spies From Canaan, Some Four Or Five Hundred Men, Women And Children Are Most Effectively Massed.

The feature of the foreground is the sample bunch of grapes, borne on the shoulders of two men, which the spies have brought back with them from the promised land.

The sight of this bunch of grapes, we are told, astonished the children of Israel. I can quite understand its doing so. The picture of it used to astonish me, too, when I was a child.

"The scene of Christ's entry into Jerusalem surrounded by the welcoming multitude, is a wonderful reproduction of life and movement, and so also is the scene, towards the end, showing his last journey up to Calvary. All Jerusalem seems to have turned out to see him pass and to follow him, the many laughing, the few sad. The people fill the narrow streets to overflowing, and press round the spears of the Roman Guard.

"They throng the steps and balconies of every house, they strain to catch a sight of Christ above each other's heads. They leap up on each other's backs to gain a better vantage-ground from which to hurl their jeers at him. They jostle irreverently against their priests. Each individual man, woman, and child on the stage acts, and acts in perfect harmony with all the rest.

"Of the chief members of the cast - Maier, the gentle and yet kingly Christ; Burgomaster Lang, the stern, revengeful High Priest; his daughter Rosa, the sweet-faced, sweet-voiced Virgin; Rendl, the dignified, statesman-like Pilate; Peter Rendl, the beloved John, with the purest and most beautiful face I have ever seen upon a man; old Peter Hett, the rugged, loving, weak friend, Peter; Rutz, the leader of the chorus (no sinecure, his post); and Amalie Deschler, the Magdalen - it would be difficult to speak in terms of too high praise. Themselves mere peasants - There are those two women again, spying round our door; I am sure of it!" I exclaim, breaking off, and listening to the sounds that come from the next room. "I wish they would go downstairs; I am beginning to get quite nervous."

"Oh, I don't think we need worry," answers B. "They are quite old ladies, both of them. I met them on the stairs yesterday. I am sure they look harmless enough."

"Well, I don't know," I reply. "We are all by ourselves, you know. Nearly everyone in the village is at the theatre, I wish we had got a dog."

B. reassures me, however, and I continue:

"Themselves mere peasants," I repeat, "they represent some of the greatest figures in the world's history with as simple a dignity and as grand a bearing as could ever have been expected from the originals themselves. There must be a natural inborn nobility in the character of these highlanders. They could never assume or act that manner au grand seigneur with which they imbue their parts.

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