Field And Hedgerow By Richard Jefferies




























































































 -  He went out into the
park, bearing somewhat to the right and passing many hawthorns, round the
trunks of which - Page 97
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He Went Out Into The Park, Bearing Somewhat To The Right And Passing Many Hawthorns, Round The Trunks Of Which The Grass Was Cut Away In A Ring By The Hoofs Of Animals Seeking Shadow.

Far away on a rising knoll a herd of deer were lying under some elms.

In front were the downs, a mile or so distant; to the right, meadows and cornfields, towards which he went. There was no house nor any habitation in view; in the early part of the year, the lambing-time, there was a shepherd's hut on wheels in the fields, but it had been drawn away.

According to tradition, there is no forest in England in which a king has not hunted. A king, they say, hunted here in the old days of the cross-bow; but happily the place escaped notice in that artificial era when half the parks and woods were spoiled to make the engraver's ideal landscape of straight vistas, broad in the foreground and narrowing up to nothing. Wide, straight roads - you can call them nothing else - were cut through the finest woods, so that upon looking from a certain window, or standing at a certain spot in the grounds, you might see a church tower at the end of the cutting, In some parks there are half a dozen such horrors shown to you as a great curiosity; some have a monument or pillar at the end. These hideous disfigurements of beautiful scenery should surely be wiped out in our day. The stiff, straight cutting could soon be filled up by planting, and after a time the woods would resume their natural condition. Many common highway roads are really delightful, winding through trees and hedgerows, with glimpses of hills and distant villages. But these planned, straight vistas, radiating from a central spot as if done with ruler and pen, at once destroy the pleasant illusion of primeval forest. You may be dreaming under the oaks of the chase or of Rosalind: the moment you enter such a vista all becomes commonplace. Happily this park escaped, and it is beautiful. Our English landscape wants no gardening: it - cannot - be gardened. The least interference kills it. The beauty of English woodland and country is in its detail. There is nothing empty and unclothed. If the clods are left a little while undisturbed in the fields, weeds spring up and wild-flowers bloom upon them. Is the hedge cut and trimmed, lo! the bluebells flower the more and a yet fresher green buds forth upon the twigs. Never was there a garden like the meadow: there is not an inch of the meadow in early summer without a flower. Old walls, as we saw just now, are not left without a fringe; on the top of the hardest brick wall, on the sapless tiles, on slates, stonecrop takes hold and becomes a cushion of yellow bloom. Nature is a miniature painter and handles a delicate brush, the tip of which touches the tiniest spot and leaves something living. The park has indeed its larger lines, its broad open sweep, and gradual slope, to which the eye accustomed to small inclosures requires time to adjust itself. These left to themselves are beautiful; they are the surface of the earth, which is always true to itself and needs no banks nor artificial hollows. The earth is right and the tree is right: trim either and all is wrong. The deer will not fit to them then.

The squire came near enough to the corn-field to see that the wheat-ears were beginning to turn yellow and that the barley had the silky appearance caused by the beard, the delicate lines of which divide the light and reflect it like gossamer. At some distance a man was approaching; he saw him, and sat down on the grass under an oak to await the coming of Ettles the keeper. Ettles had been his rounds and had visited the outlying copses, which are the especial haunts of pheasants. Like the deer, pheasants, if they can, will get away from the main wood. He was now returning, and the squire, well knowing that he would pass this way, had purposely crossed his path to meet him. The dogs ran to the squire and at once made friends with him. Ettles, whose cheek was the colour of the oak-apples in spring, was more respectful: he stood till the squire motioned him to sit down. The dogs rolled on the sward, but, though in the shadow, they could not extend themselves sufficiently nor pant fast enough. Yonder the breeze that came up over the forest on its way to the downs blew through the group of trees on the knoll, cooling the deer as it passed.

MY OLD VILLAGE.

'John Brown is dead,' said an aged friend and visitor in answer to my inquiry for the strong labourer.

'Is he really dead?' I asked, for it seemed impossible.

'He is. He came home from his work in the evening as usual, and seemed to catch his foot in the threshold and fell forward on the floor. When they picked him up he was dead.'

I remember the doorway; a raised piece of wood ran across it, as is commonly the case in country cottages, such as one might easily catch one's foot against if one did not notice it; but he knew that bit of wood well. The floor was of brick, hard to fall on and die. He must have come down over the crown of the hill, with his long slouching stride, as if his legs had been half pulled away from his body by his heavy boots in the furrows when a ploughboy. He must have turned up the steps in the bank to his cottage, and so, touching the threshold, ended. He is gone through the great doorway, and one pencil-mark is rubbed out. There used to be a large hearth in that room, a larger room than in most cottages; and when the fire was lit, and the light shone on the yellowish red brick beneath and the large rafters overhead, it was homely and pleasant.

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