He Went Out Into The
Park, Bearing Somewhat To The Right And Passing Many Hawthorns, Round The
Trunks Of Which The Grass Was Cut Away In A Ring By The Hoofs Of Animals
Seeking Shadow.
Far away on a rising knoll a herd of deer were lying
under some elms.
In front were the downs, a mile or so distant; to the
right, meadows and cornfields, towards which he went. There was no house
nor any habitation in view; in the early part of the year, the
lambing-time, there was a shepherd's hut on wheels in the fields, but it
had been drawn away.
According to tradition, there is no forest in England in which a king has
not hunted. A king, they say, hunted here in the old days of the
cross-bow; but happily the place escaped notice in that artificial era
when half the parks and woods were spoiled to make the engraver's ideal
landscape of straight vistas, broad in the foreground and narrowing up to
nothing. Wide, straight roads - you can call them nothing else - were cut
through the finest woods, so that upon looking from a certain window, or
standing at a certain spot in the grounds, you might see a church tower
at the end of the cutting, In some parks there are half a dozen such
horrors shown to you as a great curiosity; some have a monument or pillar
at the end. These hideous disfigurements of beautiful scenery should
surely be wiped out in our day. The stiff, straight cutting could soon be
filled up by planting, and after a time the woods would resume their
natural condition. Many common highway roads are really delightful,
winding through trees and hedgerows, with glimpses of hills and distant
villages. But these planned, straight vistas, radiating from a central
spot as if done with ruler and pen, at once destroy the pleasant illusion
of primeval forest. You may be dreaming under the oaks of the chase or of
Rosalind: the moment you enter such a vista all becomes commonplace.
Happily this park escaped, and it is beautiful. Our English landscape
wants no gardening: it - cannot - be gardened. The least interference kills
it. The beauty of English woodland and country is in its detail. There is
nothing empty and unclothed. If the clods are left a little while
undisturbed in the fields, weeds spring up and wild-flowers bloom upon
them. Is the hedge cut and trimmed, lo! the bluebells flower the more and
a yet fresher green buds forth upon the twigs. Never was there a garden
like the meadow: there is not an inch of the meadow in early summer
without a flower. Old walls, as we saw just now, are not left without a
fringe; on the top of the hardest brick wall, on the sapless tiles, on
slates, stonecrop takes hold and becomes a cushion of yellow bloom.
Nature is a miniature painter and handles a delicate brush, the tip of
which touches the tiniest spot and leaves something living. The park has
indeed its larger lines, its broad open sweep, and gradual slope, to
which the eye accustomed to small inclosures requires time to adjust
itself. These left to themselves are beautiful; they are the surface of
the earth, which is always true to itself and needs no banks nor
artificial hollows. The earth is right and the tree is right: trim either
and all is wrong. The deer will not fit to them then.
The squire came near enough to the corn-field to see that the wheat-ears
were beginning to turn yellow and that the barley had the silky
appearance caused by the beard, the delicate lines of which divide the
light and reflect it like gossamer. At some distance a man was
approaching; he saw him, and sat down on the grass under an oak to await
the coming of Ettles the keeper. Ettles had been his rounds and had
visited the outlying copses, which are the especial haunts of pheasants.
Like the deer, pheasants, if they can, will get away from the main wood.
He was now returning, and the squire, well knowing that he would pass
this way, had purposely crossed his path to meet him. The dogs ran to the
squire and at once made friends with him. Ettles, whose cheek was the
colour of the oak-apples in spring, was more respectful: he stood till
the squire motioned him to sit down. The dogs rolled on the sward, but,
though in the shadow, they could not extend themselves sufficiently nor
pant fast enough. Yonder the breeze that came up over the forest on its
way to the downs blew through the group of trees on the knoll, cooling
the deer as it passed.
MY OLD VILLAGE.
'John Brown is dead,' said an aged friend and visitor in answer to my
inquiry for the strong labourer.
'Is he really dead?' I asked, for it seemed impossible.
'He is. He came home from his work in the evening as usual, and seemed to
catch his foot in the threshold and fell forward on the floor. When they
picked him up he was dead.'
I remember the doorway; a raised piece of wood ran across it, as is
commonly the case in country cottages, such as one might easily catch
one's foot against if one did not notice it; but he knew that bit of wood
well. The floor was of brick, hard to fall on and die. He must have come
down over the crown of the hill, with his long slouching stride, as if
his legs had been half pulled away from his body by his heavy boots in
the furrows when a ploughboy. He must have turned up the steps in the
bank to his cottage, and so, touching the threshold, ended. He is gone
through the great doorway, and one pencil-mark is rubbed out. There used
to be a large hearth in that room, a larger room than in most cottages;
and when the fire was lit, and the light shone on the yellowish red brick
beneath and the large rafters overhead, it was homely and pleasant.
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