Field And Hedgerow By Richard Jefferies




























































































 -  It is very strange that the art of the
old-fashioned book for children has gone over to New York - Page 92
Field And Hedgerow By Richard Jefferies - Page 92 of 204 - First - Home

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It Is Very Strange That The Art Of The Old-Fashioned Book For Children Has Gone Over To New York, Which Seems To Us The Land Of Newness.

For grown-up people the modern books which are sent out in such numbers, often very cheap, have likewise

An artificial cityfied air so obviously got up and theatrical, such a mark of machinery on them, all stamped and chucked out by the thousand, that they have no attraction for a people who live with nature, and even in old age retain a certain childlike faith in honesty and genuine work. The reprints of good old authors, too, which may be had for a few pennies now, are so edited away that all the golden ring of the metal is clipped out of them. Overlaid with notes, and analyses, and critical exegesis, the original throb of the author's heart has disappeared from these polished bones. Just to suggest the book that would please the country reader, look for a moment at those works which came into existence at the very first dawn of printing - those volumes with strongly drawn and Durer-like illustrations, very rough, and without perspective, but whose meaning is at once understood, and which somehow convey what I may call a genuine impression. Any countryman would tell you at once that the illustrations of half the books of the present day are mere vamped-up shallowness, drawn from a city man's mind in a city room by gaslight. You must consider that the countryman who lives out of doors, and always with nature, is, as regards his reading, very much in the same mental position as the people who lived four hundred years ago - in the days when costly and rare manuscripts, few and far between, chained to the desk, were just being superseded by printed books at a fifth the price, which could be actually bought and carried home. Till quite lately so few books have circulated in country places that they may be said to have been like these old manuscripts. The early printed books were simply the manuscripts printed, and that is why they remain to this day the finest specimens of typography, quite incomparable and not to be approached by present-day printers. The art of the scribe, elaborated through centuries, had reached a marvellous perfection; the first printer copied them - the magic Fust actually sold his first books as manuscripts. Since printers have only copied printers, books have steadily declined in excellence. I have been obliged to use the outside to suggest the inside - country readers want that which is genuine, honest, and, in a word, really good; you cannot please them with vamped-up book-making. Two books occur to me at this moment which would be greatly appreciated in every country home, from that of the peasant who has just begun to read to the houses of well-educated and well-to-do people, if they only knew of their existence and their contents - of course provided they were cheap enough, for country people have to be careful of their money nowadays.

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