It Is Very Strange That The Art Of The
Old-Fashioned Book For Children Has Gone Over To New York, Which Seems To
Us The Land Of Newness.
For grown-up people the modern books which are sent out in such numbers,
often very cheap, have likewise
An artificial cityfied air so obviously
got up and theatrical, such a mark of machinery on them, all stamped and
chucked out by the thousand, that they have no attraction for a people
who live with nature, and even in old age retain a certain childlike
faith in honesty and genuine work. The reprints of good old authors, too,
which may be had for a few pennies now, are so edited away that all the
golden ring of the metal is clipped out of them. Overlaid with notes, and
analyses, and critical exegesis, the original throb of the author's heart
has disappeared from these polished bones. Just to suggest the book that
would please the country reader, look for a moment at those works which
came into existence at the very first dawn of printing - those volumes
with strongly drawn and Durer-like illustrations, very rough, and without
perspective, but whose meaning is at once understood, and which somehow
convey what I may call a genuine impression. Any countryman would tell
you at once that the illustrations of half the books of the present day
are mere vamped-up shallowness, drawn from a city man's mind in a city
room by gaslight. You must consider that the countryman who lives out of
doors, and always with nature, is, as regards his reading, very much in
the same mental position as the people who lived four hundred years
ago - in the days when costly and rare manuscripts, few and far between,
chained to the desk, were just being superseded by printed books at a
fifth the price, which could be actually bought and carried home. Till
quite lately so few books have circulated in country places that they may
be said to have been like these old manuscripts. The early printed books
were simply the manuscripts printed, and that is why they remain to this
day the finest specimens of typography, quite incomparable and not to be
approached by present-day printers. The art of the scribe, elaborated
through centuries, had reached a marvellous perfection; the first printer
copied them - the magic Fust actually sold his first books as manuscripts.
Since printers have only copied printers, books have steadily declined in
excellence. I have been obliged to use the outside to suggest the
inside - country readers want that which is genuine, honest, and, in a
word, really good; you cannot please them with vamped-up book-making. Two
books occur to me at this moment which would be greatly appreciated in
every country home, from that of the peasant who has just begun to read
to the houses of well-educated and well-to-do people, if they only knew
of their existence and their contents - of course provided they were cheap
enough, for country people have to be careful of their money nowadays.
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