Field And Hedgerow By Richard Jefferies




























































































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The starlings grew busier and busier in the dark green Spanish oaks,
thrown up as if a shell had burst - Page 79
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The Starlings Grew Busier And Busier In The Dark Green Spanish Oaks, Thrown Up As If A Shell Had Burst

Among them; suddenly their clucking and whistling ceased, the speeches of contention were over, a vote of confidence had been

Passed in their Government, and the House was silent. The pheasants in the park shook their wings and crowed 'kuck, kuck - kow,' and went to roost; the water in the furrows ceased to reflect; the dark earth grew darker and damper; the elms lost their reddish brown; the sky became leaden behind the ridge of the Downs; and the shadow of night fell over the field.

Twenty-five years ago I went into a camera obscura, where you see miniature men and women, coloured photographs alive and moving, trees waving, now and then dogs crossing the bright sun picture. I was only there a few moments, and I have never been in one since, and yet so inexplicable a thing is memory, the picture stands before me now clear as if it were painted and tangible. So many millions of pictures have come and gone upon the retina, and yet I can single out this one in an instant, and take it down as you would a book from a shelf. The millions of coloured etchings that have fixed themselves there in the course of those years are all in due order in the portfolio of the mind, and yet they cannot occupy the space of a pin's point. They have neither length, breadth, nor thickness, none of the qualifications of mathematical substance, and yet they must in some way be a species of matter. The fact indicates the possibility of still more subtle existences. Now I wish I could put before you a coloured, living, moving picture, like that of the camera obscura, of some other wheat-fields at a sunnier time. They were painted on the surface of a plain, set round about with a margin of green downs. They were large enough to have the charm of vague, indefinite extension, and yet all could be distinctly seen. Large squares of green corn that was absorbing its yellow from the sunlight; chess squares, irregularly placed, of brown furrows; others of rich blood-red trifolium; others of scarlet sainfoin and blue lucerne, gardens of scarlet poppies here and there. Not all of these, of course, at once, but they followed so quickly in the summer days that they seemed to be one and the same pictures, and had you painted them altogether on the same canvas, together with ripe wheat, they would not have seemed out of place. Never was such brilliant colour; it was chalk there, and on chalk the colours are always clearer, the poppies deeper, the yellow mustard and charlock a keener yellow; the air, too, is pellucid. Waggons going along the tracks; men and women hoeing; ricks of last year still among clumps of trees, where the chimneys and gables of farmhouses are partly visible; red-tiled barns away yonder; a shepherd moving his hurdles; away again the black funnel of an idle engine, and the fly-wheel above hawthorn bushes - all so distinct and close under that you might almost fear to breathe for fear of dimming the mirror.

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