To These Houses Life Fitted Itself And Grew To Them; They
Were Not Mere Walls, But Became Part Of Existence.
A man's house was not
only his castle, a man's house was himself.
He could not tear himself
away from his house, it was like tearing up the shrieking mandrake by the
root, almost death itself. Now we walk in and out of our brick boxes
unconcerned whether we live in this villa or that, here or yonder. Dark
beams inlaid in the walls support the gables; heavier timber, placed
horizontally, forms, as it were, the foundation of the first floor. This
horizontal beam has warped a little in the course of time, the alternate
heat and cold of summers and winters that make centuries. Up to this beam
the lower wall is built of brick set to the curve of the timber, from
which circumstance it would appear to be a modern insertion. The beam, we
may be sure, was straight originally, and the bricks have been fitted to
the curve which it subsequently took. Time, no doubt, ate away the lower
work of wood, and necessitated the insertion of new materials. The slight
curve of the great beam adds, I think, to the interest of the old place,
for it is a curve that has grown and was not premeditated; it has grown
like the bough of a tree, not from any set human design. This, too, is
the character of the house. It is not large, nor overburdened with
gables, not ornamental, nor what is called striking, in any way, but
simply an old English house, genuine and true. The warm sunlight falls on
the old red tiles, the dark beams look the darker for the glow of light,
the shapely cone of the hop-oast rises at the end; there are swallows and
flowers, and ricks and horses, and so it is beautiful because it is
natural and honest. It is the simplicity that makes it so touching, like
the words of an old ballad. Now at Mayfield there is a timber house which
is something of a show place, and people go to see it, and which
certainly has many more lines in its curves and woodwork, but yet did not
appeal to me, because it seemed too purposely ornamental. A house
designed to look well, even age has not taken from it its artificiality.
Neither is there any cone nor cart-horses about. Why, even a tall
chanticleer makes a home look homely. I do like to see a tall proud
chanticleer strutting in the yard and barely giving way as I advance,
almost ready to do battle with a stranger like a mastiff. So I prefer the
simple old home by Buckhurst Park.
The beeches and oaks become fewer as the ground rises, there are wide
spaces of bracken and little woods or copses, every one of which is
called a 'shaw.' Then come the firs, whose crowded spires, each touching
each, succeed for miles, and cover the hill-side with a solid mass of
green.
Enter page number
PreviousNext
Page 66 of 204
Words from 33864 to 34377
of 105669
