Field And Hedgerow By Richard Jefferies




























































































 - 

The steps on which I sit lead up to the door of the cone. Inside, the
green hops lie on - Page 51
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The Steps On Which I Sit Lead Up To The Door Of The Cone.

Inside, the green hops lie on the horsehair carpet, and the fumes of the sulphur burning underneath come up through them.

A vapour hangs about the surface of the hops; looking upwards, the diminishing cone rises hollow to the cowl, where a piece of blue sky can be seen. Round the cone a strip of thin lathing is coiled on a spiral; could any one stand on these steps and draw the inside of the cone? Could perspective be so managed as to give the idea of the diminishing hollow and spiral? the side opposite would not be so difficult, but the bit this side, overhead and almost perpendicular, and so greatly foreshortened, how with that? It would be necessary to make the spectator of the drawing feel as if this side of the cone rose up from behind his head; as if his head were just inside the cone. Would not this be as curious a bit of study as any that could be found in the interior of old Continental churches, which people go so many miles to see? Our own land is so full of interest. There are pictures by the oldest Master everywhere in our own country, by the very Master of the masters, by Time, whose crooked signature lies in the corner of the shadowy farmhouse hearth.

Beneath the loft, on the ground-floor, I found the giant's couch. The bed of a cart had been taken off its wheels, forming a very good bedstead, dry and sheltered on three sides. On the fourth the sleeper's feet were towards the charcoal fire. Opening the furnace door, he could sit there and watch the blue and green tongues of sulphur flame curl round about and above the glowing charcoal, the fumes rising to the hops on the horsehair high over. The 'hoppers' in the garden used to bring their kettles and pots to boil, till the practice grew too frequent, and was stopped, because the constant opening of the furnace wasted the heat. The sulphur comes in casks. A sulphur cask sawn down the middle, with a bit left by the head for cover, is often used by the hoppers as a cradle. Another favourite cradle is made from a trug basket, the handle cut off. It is then like half a large eggshell, with cross pieces underneath to prevent it from canting aside. This cradle is set on the bare ground in the garden; when they move one woman takes hold of one end and a second of the other, and thus carry the infant. If you ask them, they will find you a 'hop-dog,' a handsome green caterpillar marked with black velvet stripes and downy bands between. Their labour usually ends early in the afternoon.

The giant at the kiln must watch and bide his time the night through till the hops are ready to be withdrawn from the cone.

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