They Are Going To Try To Re-Settle Our Land By Altering The
Laws.
Most certainly the laws ought to be altered, and must be altered,
still it is evident to any one of dispassionate thought, while such
immense quantities of gold are sent away from us, profit cannot be made
in farming either small or great.
The crop is the same in either case,
and if there is no sale for the produce, it matters very little whether
you farm four acres or four hundred.
New hats and jackets, but the same old faces. A stout old farmer sat at
the side of his barn door on the hatch leaning against the post. His body
was as rotund as a full sack of wheat, his great chin and his great
checks were full; a man very solidly set as it were, and he eyed me, a
stranger, as I passed down the lane, with mistrust and suspicion in every
line of his face. Out of the hunting season a stranger might perhaps have
been seen there once in six months, and this was that once. The British
bull-dog growled in his countenance - very likely pleasantness itself to
those he knew, grimness itself to others. The sunlight fell full into the
barn, the great doors wide open; there were sacks on the other side of
the door piled up inside, a heap of grain, and two men turning the
winches of a winnowing machine. New hats, but old faces. Could his
great-great-grandfather have been dug up and set in that barn door, he
would have looked just the same, so would the sacks, and the wheat, and
the sunshine. At the market town, where the auctioneer's hammer goes tap
tap over bullocks and sheep, crowds of men gather together, - farmers, and
bailiffs, and shepherds, drovers and labourers - and their clothes are
different, but there are the same old weather-beaten faces. Faces that
you may see in the ancient illuminated manuscripts, in the realistic wood
engravings of early printed books, in the etchings of last century, the
same lines and expression. The earth has marked them all. In a modern
country sketch or picture you would - not - find them, they would be
smoothed away - drawing-room faces, made transparent, in attitudes like
easy-limbed girls delicately proportioned These are not country people.
Country people are the same now in appearance as when the old artists
honestly drew them; sturdy and square, bulky and slow, no attitudes, no
drawing-room grace, no Christmas card glossiness; somewhat stiff of limb,
with a distinct flavour of hay and straw about them, and no enamel. In
the villages cottagers have no ideas of tastefully disposing their
mantles about their shoulders, or of dressing for the occasion. I do not
know how to describe the form of a middle-aged cottage woman on a stormy
day with a large, greenish umbrella, a round bonnet, huge and enclosing
all the head, back, and sides, like the vast helm of the knights, a sort
of circular cloak, stout ankles well visible, and sometimes pattens; the
wearer inside all this decidedly bulky, and the whole apparatus coming
along through mud and rain with great deliberation. Inside the round
bonnet a ruddy, apple-checked face, just such a one as used to go to mass
in Sir John the priest's time, before the images were knocked out of the
rood-loft at the church there. The boys and girls play in the ditches
till they go to school, and they play in the hedges and ditches every
hour they can get out of school, and the moment their time is up they go
to work among the hedges and ditches, and though they may have had to
read standard authors at school, no sooner do they get among the furrows
than they talk hedge and ditch language. They do not talk Pope, or
Milton, or Addison; they 'knaaws,' 'they be a-gwoin thur,' it's a 'geat,'
and a 'vield,' and a 'vurrow.' These are the old faces you see, the same
old powers are at work to fashion them. Heavy, blind blows of the Wind,
the Rain, Frost, and Heat, have beaten up their faces in rude - repousse -
work. They have nails in their boots, but new hats on their heads; he who
paints them aright should paint the old nailed boots, but also the new
hats and the Waltham watches. Why do they not read? All have been taught,
and curious as the inconsistency may seem, they all value the privilege
of being - able - to read and write, and yet they do not exercise it,
except in a casual, random way. I for one, when the public schools began
all through the rural districts, thought that at last the printing-press
was going to reach the country people. In a measure it has done so, but
in a flickering, uncertain manner; they read odd bits which come drifting
to their homes in irregular ways, just as people on the coast light their
fires with fragments of wreck, chance-thrown by the stormy spring-tides
on the beach. So the fire of the mind in country places is fed with chips
and splinters, and shapeless pieces that do not fit together, and no one
sits down to read. I think I see two reasons why country people do not
read, the first of which, thanks be to Allah, will endure for ever; the
second may perhaps disappear in time, when those who make books come to
see what is wanted.
First, nature has given them so much to read out of doors, such a vast
and ever-changing picture-book, that white paper stained with black type
indoors seems dry and without meaning. A barnyard chanticleer and his
family afford more matter than the best book ever written. His coral red
comb, his silvery scaled legs, his reddened feathers, and his fiery
attitudes, his jolly crow, and all his ways - there's an illustrated
pamphlet, there's a picture-block book for you in one creature only!
Reckon his family, the tender little chicks, the enamelled eggs, the
feeding every day, the roosting, the ever-present terror of the red
wood-dog (as the gipsies call the fox) - here's a Chronicon Nurembergense
with a thousand woodcuts; a whole history.
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