In Moving Round, It Is Very Striking To Observe How The Least
Change Of Position - If You Do But Move
An inch - alters the outline and
curve of the work; the breast, not visible before, is now apparent as the
Bust rises; another inch and it becomes a demi-lune, till it swells to
its full undulation. At every step the figure alters, but no matter at
how many angles it is looked at, it always has beautiful curves. They
adapt themselves, these curves, to the position of the eye, and wherever
the eye is placed they satisfy its demands for beauty. Examine any part,
and it is found perfect; for instance, the inside of the right knee
(visible from the left of the statue) slightly bulges, being pressed out
by the stooping position.
At a third visit it seemed to me that the statue had grown much more
beautiful in the few days which had elapsed since I first saw it.
Pondering upon the causes of this increasing interest, I began to see
that one reason was because it recalled to my memory the loveliness of
nature. Old days which I had spent wandering among deep meadows and by
green woods came back to me. In such days the fancy had often occurred to
me that, besides the loveliness of leaves and flowers, there must be some
secret influence drawing me on as a hand might beckon. The light and
colour suspended in the summer atmosphere, as colour is in stained but
translucent glass, were to me always on the point of becoming tangible in
some beautiful form.
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