Field And Hedgerow By Richard Jefferies




























































































 -  The original scene from which he took his picture of
 - The Plough -  is not far distant. The painter is gone - Page 172
Field And Hedgerow By Richard Jefferies - Page 172 of 204 - First - Home

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The Original Scene From Which He Took His Picture Of - The Plough - Is Not Far Distant.

The painter is gone; the grasses and the flowers are renewed with the summer.

As I stood by the brook a water-rat came swimming, drawing a large dock-leaf in his mouth; seeing me, he dived, and took the leaf with him under water.

Everywhere wild strawberries were flowering on the banks - wild strawberries have been found ripe in January here; everywhere ferns were thickening and extending, foxgloves opening their bells. Another deep coombe led me into the mountainous Quantocks, far below the heather, deep beside another trickling stream. In this land the sound of running water is perpetual, the red flat stones are resonant, and the speed of the stream draws forth music like quick fingers on the keys; the sound of running water and the pleading voice of the willow-wren are always heard in summer. Among the oaks growing on the steep hill-side the willow-wrens repeated their sweet prayer; the water as it ran now rose and now fell; there was a louder note as a little stone was carried over a fall. The shadow came slowly out from the oak-grown side of the coombe, it reached to the margin of the brook. Under the oaks there appears nothing but red stones, as if the trees were rooted in them; under the boughs probably the grass does not cover the rock as it does on the opposite side. There mountain-ashes flowered in loose order on the green slope. Redstarts perched on them, darting out to seize passing insects. Still deeper in the coombe the oaks stood on either side of the stream; it was the beginning of woods which reach for miles, in which occasionally the wild red deer wander, and drink at the clear waters. By now the shadow of the western hill-top had crossed the brooklet, and the still coombe became yet more silent. There was an alder, ivy-grown, beside the stream - a tree with those lines which take an artist's fancy. Under the roots of alders the water-ousel often creeps by day, and the tall heron stalks past at night. Receding up the eastern slope of the coombe the sunlight left the dark alder's foliage in the deep shadow of the hollow. I went up the slope till I could see the sun, and waited; in a few minutes the shadow reached me, and it was sunset; I went still higher, and presently the sun set again. A cool wind was drawing up the coombe, it was dusky in the recesses of the oaks, and the water of the stream had become dark when we emerged from the great hollow, and yet without the summer's evening had but just commenced, and the banks were still heated by the sun.

In contrast to the hills and moors which are so open and wild, the broad vales beneath are closely shut in with hedges.

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