The
Abbey Of Marmoutier, Which Sprung From The Grottos In
The Cliff To Which Saint Gatianus And Saint Martin Re-
Tired To Pray, Was Therefore The Creation Of The Latter
Worthy, As The Other Great Abbey, In The Town Proper,
Was The Monument Of His Repose.
The cliff is still
there; and a winding staircase, in the latest taste, en-
ables you conveniently to explore its recesses.
These
sacred niches are scooped out of the rock, and will
give you an impression if you cannot do without one.
You will feel them to be sufficiently venerable when
you learn that the particular pigeon-hole of Saint
Gatianus, the first Christian missionary to Gaul, dates
from the third century. They have been dealt with as
the Catholic church deals with most of such places to-
day; polished and furnished up; labelled and ticketed,
- _edited,_ with notes, in short, like an old book. The
process is a mistake, - the early editions had more
sanctity. The modern buildings (of the Sacred Heart),
on which you look down from these points of vantage,
are in the vulgar taste which seems doomed to stamp
itself on all new Catholic work; but there was never-
theless a great sweetness in the scene. The afternoon
was lovely, and it was flushing to a close. The large
garden stretched beneath us, blooming with fruit and
wine and succulent vegetables, and beyond it flowed
the shining river. The air was still, the shadows were
long, and the place, after all, was full of memories,
most of which might pass for virtuous. It certainly
was better than Plessis-les-Tours.
IV.
Your business at Tours is to make excursions; and
if you make them all, you will be very well occupied.
Touraine is rich in antiquities; and an hour's drive
from the town in almost any direction will bring you
to the knowledge of some curious fragment of domestic
or ecclesiastical architecture, some turreted manor,
some lonely tower, some gabled village, or historic
site. Even, however, if you do everything, - which was
not my case, - you cannot hope to relate everything,
and, fortunately for you, the excursions divide them-
selves into the greater and the less. You may achieve
most of the greater in a week or two; but a summer
in Touraine (which, by the way must be a charming
thing) would contain none too many days for the others.
If you come down to Tours from Paris, your best
economy is to spend a few days at Blois, where a
clumsy, but rather attractive little inn, on the edge of
the river, will offer you a certain amount of that
familiar and intermittent hospitality which a few weeks
spent in the French provinces teaches you to regard
as the highest attainable form of accommodation. Such
an economy I was unable to practise. I could only go
to Blois (from Tours) to spend the day; but this feat
I accomplished twice over. It is a very sympathetic
little town, as we say nowadays, and one might easily
resign one's self to a week there. Seated on the north
bank of the Loire, it presents a bright, clean face to
the sun, and has that aspect of cheerful leisure which
belongs to all white towns that reflect, themselves in
shining waters. It is the water-front only of Blois,
however, that exhibits, this fresh complexion; the in-
terior is of a proper brownness, as befits a signally
historic city. The only disappointment I had there
was the discovery that the castle, which is the special
object of one's pilgrimage, does not overhang the river,
as I had always allowed myself to understand. It
overhangs the town, but it is scarcely visible from the
stream. That peculiar good fortune is reserved for
Amboise and Chaurnont.
The Chateau de Blois is one of the most beautiful
and elaborate of all the old royal residences of this
part of France, and I suppose it should have all the
honors of my description. As you cross its threshold,
you step straight into the brilliant movement of the
French Renaissance. But it is too rich to describe, -
I can only touch it here and there. It must be pre-
mised that in speaking of it as one sees it to-day,
one speaks of a monument unsparingly restored. The
work of restoration has been as ingenious as it is pro-
fuse, but it rather chills the imagination. This is
perhaps almost the first thing you feel as you ap-
proach the castle from the streets of the town. These
little streets, as they, leave the river, have pretensions
to romantic steepness; one of them, indeed, which
resolves itself into a high staircase with divergent
wings (the _escalier monumental_), achieved this result
so successfully as to remind me vaguely - I hardly
know why - of the great slope of the Capitol, beside
the Ara Coeli, at Rome. The view of that part of the
castle which figures to-day as the back (it is the only
aspect I had seen reproduced) exhibits the marks of
restoration with the greatest assurance. The long
facade, consisting only of balconied windows deeply
recessed, erects itself on the summit of a considerable
hill, which gives a fine, plunging movement to its
foundations. The deep niches of the windows are all
aglow with color. They have been repainted with red
and blue, relieved with gold figures; and each of them
looks more like the royal box at a theatre than like
the aperture of a palace dark with memories. For all
this, however, and in spite of the fact that, as in some
others of the chateaux of Touraine, (always excepting
the colossal Chambord, which is not in Touraine!)
there is less vastness than one had expected, the least
hospitable aspect of Blois is abundantly impressive.
Here, as elsewhere, lightness and grace are the key-
note; and the recesses of the windows, with their
happy proportions, their sculpture, and their color, are
the empty frames of brilliant pictures.
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