The Walls
Are As Sheer And Inhospitable As Precipices.
The castle
has kept its large moat, which is now a hollow filled
with wild plants.
To this tall fortress the good Rene
retired in the middle of the fifteenth century, finding
it apparently the most substantial thing left him in a
dominion which had included Naples and Sicily,
Lorraine and Anjou. He had been a much-tried
monarch and the sport of a various fortune, fighting
half his life for thrones he didn't care for, and exalted
only to be quickly cast down. Provence was the
country of his affection, and the memory of his troubles
did not prevent him from holding a joyous court at
Tarascon and at Aix. He finished the castle at
Tarascon, which had been begun earlier in the century,
- finished it, I suppose, for consistency's sake, in the
manner in which it had originally been designed rather
than in accordance with the artistic tastes that formed
the consolation of his old age. He was a painter, a
writer, a dramatist, a modern dilettante, addicted to
private theatricals. There is something very attractive
in the image that he has imprinted on the page of
history. He was both clever and kind, and many
reverses and much suffering had not imbittered him
nor quenched his faculty of enjoyment. He was fond
of his sweet Provence, and his sweet Provence has
been grateful; it has woven a light tissue of legend
around the memory of the good King Rene.
I strolled over his dusky habitation - it must have
taken all his good-humor to light it up - at the heels
of the custodian, who showed me the usual number of
castle-properties: a deep, well-like court; a collection of
winding staircases and vaulted chambers, the embra-
sures of whose windows and the recesses of whose
doorways reveal a tremendous thickness of wall. These
things constitute the general identity of old castles;
and when one has wandered through a good many,
with due discretion of step and protrusion of head,
one ceases very much to distinguish and remember,
and contents one's self with consigning them to the
honorable limbo of the romantic. I must add that this
reflection did not the least deter me from crossing the
bridge which connects Tarascon with Beaucaire, in
order to examine the old fortress whose ruins adorn
the latter city. It stands on a foundation of rock much
higher than that of Tarascon, and looks over with a
melancholy expression at its better-conditioned brother.
Its position is magnificent, and its outline very gallant.
I was well rewarded for my pilgrimage; for if the castle
of Beaucaire is only a fragment, the whole place, with
its position and its views, is an ineffaceable picture. It
was the stronghold of the Montmorencys, and its last
tenant was that rash Duke Francois, whom Richelieu,
seizing every occasion to trample on a great noble,
caused to be beheaded at Toulouse, where we saw, in
the Capitol, the butcher's knife with which the cardinal
pruned the crown of France of its thorns. The castle,
after the death of this victim, was virtually demolished.
Its site, which Nature to-day has taken again to herself,
has an extraordinary charm. The mass of rock that it
formerly covered rises high above the town, and is as
precipitous as the side of the Rhone. A tall rusty iron
gate admits you from a quiet corner of Beaucaire to a
wild tangled garden, covering the side of the hill, -
for the whole place forms the public promenade of the
townsfolk, - a garden without flowers, with little steep,
rough paths that wind under a plantation of small,
scrubby stone-pines. Above this is the grassy platform
of the castle, enclosed on one side only (toward the
river) by a large fragment of wall and a very massive
dungeon. There are benches placed in the lee of the
wall, and others on the edge of the platform, where
one may enjoy a view, beyond the river, of certain
peeled and scorched undulations. A sweet desolation,
an everlasting peace, seemed to hang in the air. A
very old man (a fragment, like the castle itself) emerged
from some crumbling corner to do me the honors, - a
very gentle, obsequious, tottering, toothless, grateful old
man. He beguiled me into an ascent of the solitary
tower, from which you may look down on the big
sallow river and glance at diminished Tarascon, and
the barefaced, bald-headed hills behind it. It may
appear that I insist too much upon the nudity of the
Provencal horiion, - too much, considering that I have
spoken of the prospect from the heights of Beaucaire as
lovely. But it is an exquisite bareness; it seems to
exist for the purpose of allowing one to follow the de-
licate lines of the hills, and touch with the eyes, as it
were, the smallest inflections of the landscape. It
makes the whole thing seem wonderfully bright and
pure.
Beaucaire used to be the scene of a famous fair,
the great fair of the south of France. It has gone the
way of most fairs, even in France, where these delight-
ful exhibitions hold their own much better than might
be supposed. It is still held in the month of July;
but the bourgeoises of Tarascon send to the Magasin
du Louvre for their smart dresses, and the principal
glory of the scene is its long tradition. Even now,
however, it ought to be the prettiest of all fairs, for it
takes place in a charming wood which lies just beneath
the castle, beside the Rhone. The booths, the barracks,
the platforms of the mountebanks, the bright-colored
crowd, diffused through this midsummer shade, and
spotted here and there with the rich Provencal sun-
shine must be of the most pictorial effect. It is highly
probable, too, that it offers a large collection of pretty
faces; for even in the few hours that I spent at
Tarascon I discovered symptoms of the purity of
feature for which the women of the _pays d'Arles_ are
renowned.
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