There Is No Provision Made In This Image For The Long, Transparent Screens Of Thin-Twigged Trees Which Rose At

Intervals out of the watery plain; but as, under the circumstances, there seemed to be no provision for them in

Fact, I will let my metaphor go for what it is worth. My journey was (as I remember it) of about an hour and a half; but I passed no object of interest, as the phrase is, whatever. The phrase hardly applies even to Bourg itself, which is simply a town _quelconque_, as M. Zola would say. Small, peaceful, rustic, it stands in the midst of the great dairy-feeding plains of Bresse, of which fat county, sometime property of the house of Savoy, it was the modest capital. The blue masses of the Jura give it a creditable horizon, but the only nearer feature it can point to is its famous sepulchral church. This edifice lies at a fortunate distance from the town, which, though inoffensive, is of too common a stamp to consort with such a treasure. All I ever knew of the church of Brou I had gathered, years ago, from Matthew Arnold's beautiful poem, which bears its name. I remember thinking, in those years, that it was impossible verses could be more touching than these; and as I stood before the object of my pilgrimage, in the gay French light (though the place was so dull), I recalled the spot where I had first read them, and where I read them again and yet again, wondering whether it would ever be my fortune to visit the church of Brou. The spot in question was an armchair in a window which looked out on some cows in a field; and whenever I glanced at the cows it came over me - I scarcely know why - that I should probably never behold the structure reared by the Duchess Margaret. Some of our visions never come to pass; but we must be just, - others do. "So sleep, forever sleep, O princely pair!" I remembered that line of Matthew Arnold's, and the stanza about the Duchess Margaret coming to watch the builders on her palfry white. Then there came to me something in regard to the moon shining on winter nights through the cold clere-story. The tone of the place at that hour was not at all lunar; it was cold and bright, but with the chill of an autumn morning; yet this, even with the fact of the unexpected remoteness of the church from the Jura added to it, did not prevent me from feeling that I looked at a monument in the pro- duction of which - or at least in the effect of which on the tourist mind of to-day - Matthew Arnold had been much concerned. By a pardonable license he has placed it a few miles nearer to the forests of the Jura than it stands at present. It is very true that, though the mountains in the sixteenth century can hardly have been in a different position, the plain which separates the church from them may have been bedecked with woods.

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