Afoot In England, By W.H. Hudson


























































































 -   Oh, she cried, and it was a cry of pain,
was I once as beautiful as that? and burst into - Page 44
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"Oh," She Cried, And It Was A Cry Of Pain, "Was I Once As Beautiful As That?" And Burst Into Tears.

She had found the picture she had been looking for, which she had come to see; it had been there twenty to twenty-five years, and the story of it was as follows.

When she was a young girl her mother took her to the great artist to have her portrait painted, and when the work was at length finished she and her mother went to see it. The artist put it before them and the mother looked at it, her face expressing displeasure, and said not one word. Nor did the artist open his lips. And at last the girl, to break the uncomfortable silence, said, "Where shall we hang it, mother?" and the lady replied, "Just where you like, my dear, so long as you hang it with the face to the wall." It was an insolent, a cruel thing to say, but the artist did not answer her bitterly; he said gently that she need not take the portrait as it failed to please her, and that in any case he would decline to take the money she had agreed to pay him for the work. She thanked him coldly and went her way, and he never saw her again. And now Time, the humbler of proud beautiful women, had given him his revenge: the portrait, scorned and rejected when the colour and sparkle of life was in the face, had been looked on once more by its subject and had caused her to weep at the change in herself.

To return. One wishes in these moments of meeting, of surprise and sudden revealings, that it were permissible to speak from the heart, since then the very truth might have more balm than bitterness in it. "Grieve not, dear friend of old days, that I have not escaped the illusion common to all - the idea that those we have not looked on this long time - full five years, let us say - have remained as they were while we ourselves have been moving onwards and downwards in that path in which our feet are set. No one, however hardened he may be, can escape a shock of surprise and pain; but now the illusion I cherished has gone - now I have seen with my physical eyes, and a new image, with Time's writing on it, has taken the place of the old and brighter one, I would not have it otherwise. No, not if I could would I call back the vanished lustre, since all these changes, above all that wistful look in the eyes, do but serve to make you dearer, my sister and friend and fellow-traveller in a land where we cannot find a permanent resting-place."

Alas! it cannot be spoken, and we cannot comfort a sister if she cannot divine the thought; but to brood over these inevitable changes is as idle as it is to lament that we were born into this mutable world. After all, it is because of the losses, the sadnesses, that the world is so infinitely sweet to us. The thought is in Cory's Mimnernus in Church:

All beauteous things for which we live By laws of time and space decay. But oh, the very reason why I clasp them is because they die.

From this sadness in Bath I went to a greater in Wells, where I had not been for ten years, and timing my visit so as to have a Sunday service at the cathedral of beautiful memories, I went on a Saturday to Shepton Mallet. A small, squalid town, a "manufacturing town" the guide-book calls it. Well, yes; it manufactures Anglo-Bavarian beer in a gigantic brewery which looks bigger than all the other buildings together, the church and a dozen or twenty public-houses included. To get some food I went to the only eating-house in the place, and saw a pleasant-looking woman, plump and high-coloured, with black hair, with an expression of good humour and goodness of every description in her comely countenance. She promised to have a chop ready by the time I had finished looking at the church, and I said I would have it with a small Guinness. She could not provide that, the house, she said, was strictly temperance. "My doctor has ordered me to take it," said I, "and if you are religious, remember that St. Paul tells us to take a little stout when we find it beneficial."

"Yes, I know that's what St. Paul says," she returned, with a heightened colour and a vicious emphasis on the saint's name, "but we go on a different principle."

So I had to go for my lunch to one of the big public-houses, called hotels; but whether it called itself a cow, or horse, or stag, or angel, or a blue or green something, I cannot remember. They gave me what they called a beefsteak pie - a tough crust and under it some blackish cubes carved out of the muscle of an antediluvian ox-and for this delicious fare and a glass of stout I paid three shillings and odd pence.

As I came away Shepton Mallet was shaken to its foundations by a tremendous and most diabolical sound, a prolonged lupine yell or yowl, as if a stupendous wolf, as big, say, as the Anglo-Bavarian brewery, had howled his loudest and longest. This infernal row, which makes Shepton seem like a town or village gone raving mad, was merely to inform the men, and, incidentally, the universe, that it was time for them to knock off work.

Turning my back on the place, I said to myself, "What a fool I am to be sure! Why could I not have been satisfied for once with a cup of coffee with my lunch? I should have saved a shilling, perhaps eighteen-pence, to rejoice the soul of some poor tramp; and, better still, I could have discussed some interesting questions with that charming rosy-faced woman. What, for instance, was the reason of her quarrel with the apostle; by the by, she never rebuked me for misquoting his words; and what is the moral effect (as seen through her clear brown eyes) of the Anglo-Bavarian brewery on the population of the small town and the neighbouring villages?"

The road I followed from Shepton to Wells winds by the water-side, a tributary of the Brue, in a narrow valley with hills on either side.

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