And She Certainly Did Write A Good Deal Of Poor Stuff:

It was all in a sense poor, but books and books, poor soul, she had to write.

It was in a sense poor because it was mostly ambitious stuff, and, as the proverb says, "You cannot fly like an eagle with the wings of a wren." She was driven to fly, and gave her little wings too much to do, and her flights were apt to be mere little weak flutterings over the surface of the ground. A wren, and she had not a cuckoo but a devouring cormorant to sustain - that dear, beautiful father of hers, who was more to her than any reprobate son to his devoted mother, and who day after day, year after year, gobbled up her earnings, and then would hungrily go on squawking for more until he stumbled into the grave. Alas! he was too long in dying; she was worn out by then, the little heart beating not so fast, and the bright little brain growing dim and very tired.

Now all the ambitious stuff she wrote to keep the cormorant and, incidentally, to immortalize herself, has fallen deservedly into oblivion. But we - some of us - do not forget and never want to forget Mary Russell Mitford. Her letters remain - the little friendly letters which came from her pen like balls of silvery down from a sun-ripened plant, and were wafted far and wide over the land to those she loved. There is a wonderful charm in them; they are so spontaneous, so natural, so perfectly reflect her humour and vivacity, her overflowing sweetness, her beautiful spirit. And one book too remains - the series of sketches about the poor little hamlet, in which she lived so long and laboured so hard to support herself and her parents, the turtledove mated with a cormorant. Driven to produce work and hard up for a subject, in a happy moment she took up this humble one lying at her own door and allowed her self to write naturally even as in her most intimate letters. This is the reason of the vitality of Our Tillage; it was simple, natural, and reflected the author herself, her tender human heart, her impulsive nature, her bright playful humorous spirit. There is no thought, no mind stuff in it, and it is a classic! It is about the country, and she has so little observation that it might have been written in a town, out of a book, away from nature's sights and sounds. Her rustic characters are not comparable to those of a score or perhaps two or three score of other writers who treat of such subjects. The dialogue, when she makes them talk, is unnatural, and her invention so poor that when she puts in a little romance of her own making one regrets it. And so one might go on picking it all to pieces like a dandelion blossom. Nevertheless it endures, outliving scores of in a way better books on the same themes, because her own delightful personality manifests itself and shines in all these little pictures.

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