This Natural World Was Changed To A
Supernatural, And There Was No More Matter Nor Force In Sea Or
Land Nor In The Heavens Above, But Only Spirit.
Chapter Six:
By Swallowfield
One of the most attractive bits of green and wooded country
near London I know lies between Reading and Basingstoke and
includes Aldermaston with its immemorial oaks in Berkshire and
Silchester with Pamber Forest in Hampshire. It has long been
one of my favourite haunts, summer and winter, and it is
perhaps the only wooded place in England where I have a home
feeling as strong as that which I experience in certain places
among the South Wiltshire downs and in the absolutely flat
country on the Severn, in Somerset, and the flat country in
Cambridgeshire and East Anglia, especially at Lynn and about
Ely.
I am now going back to my first visit to this green retreat;
it was in the course of one of those Easter walks I have
spoken of, and the way was through Reading and by Three Mile
Cross and Swallowfield. On this occasion I conceived a
dislike to Reading which I have never quite got over, for it
seemed an unconscionably big place for two slow pedestrians to
leave behind. Worse still, when we did leave it we found that
Reading would not leave us. It was like a stupendous octopus
in red brick which threw out red tentacles, miles and miles
long in various directions - little rows and single and double
cottages and villas, all in red, red brick and its weary
accompaniment, the everlasting hard slate roof. These square
red brick boxes with sloping slate tops are built as close as
possible to the public road, so that the passer-by looking in
at the windows may see the whole interior - wall-papers,
pictures, furniture, and oftentimes the dull expressionless
face of the woman of the house, staring back at you out of her
shallow blue eyes. The weather too was against us; a grey
hard sky, like the slate roofs, and a cold strong east wind to
make the road dusty all day long.
Arrived at Three Mile Cross, it was no surprise to find it no
longer recognizable as the hamlet described in Our Village,
but it was saddening to look at the cottage in which Mary
Russell Mitford lived and was on the whole very happy with her
flowers and work for thirty years of her life, in its present
degraded state. It has a sign now and calls itself the
"Mitford Arms" and a "Temperance Hotel," and we were told that
you could get tea and bread and butter there but nothing else.
The cottage has been much altered since Miss Mitford's time,
and the open space once occupied by the beloved garden is now
filled with buildings, including a corrugated-iron dissenting
chapel.
From Three Mile Cross we walked on to Swallowfield, still by
those never-ending roadside red-brick cottages and villas, for
we were not yet properly out of the hated biscuit metropolis.
It was a big village with the houses scattered far and wide
over several square miles of country, but just where the
church stands it is shady and pleasant. The pretty church
yard too is very deeply shaded and occupies a small hill with
the Loddon flowing partly round it, then taking its swift way
through the village. Miss Mitford's monument is a plain,
almost an ugly, granite cross, standing close to the wall,
shaded by yew, elm, and beech trees, and one is grateful to
think that if she never had her reward when living she has
found at any rate a very peaceful resting-place.
The sexton was there and told us that he was but ten years old
when Miss Mitford died, but that he remembered her well and
she was a very pleasant little woman. Others in the place
who remembered her said the same - that she was very pleasant
and sweet. We know that she was sweet and charming, but
unfortunately the portraits we have of her do not give that
impression. They represent her as a fat common-place looking
person, a little vulgar perhaps. I fancy the artists were
bunglers. I possess a copy of a very small pencil sketch made
of her face by a dear old lady friend of mine, now dead, about
the year 1851 or 2. My friend had a gift for portraiture in a
peculiar way. When she saw a face that greatly interested
her, in a drawing-room, on a platform, in the street, anywhere,
it remained very vividly in her mind and on going home she
would sketch it, and some of these sketches of well known
persons are wonderfully good. She was staying in the country
with a friend who drove with her to Swallowfield to call on
Miss Mitford, and on her return to her friend's house she
made the little sketch, and in this tiny portrait I can see
the refinement, the sweetness, the animation and charm which
she undoubtedly possessed.
But let me now venture to step a little outside of my own
province, my small plot - a poor pedestrian's unimportant
impressions of places and faces; all these p's come by
accident; and this I put in parenthetically just because an
editor solemnly told me a while ago that he couldn't abide and
wouldn't have alliteration's artful aid in his periodical.
Let us leave the subject of what Miss Mitford was to those of
her day who knew her; a thousand lovely personalities pass
away every year and in a little while are no more remembered
than the bright-plumaged bird that falls in the tropical
forest, or the vanished orchid bloom of which some one has
said that the angels in heaven can look on no more beautiful
thing. Leaving all that, let us ask what remains to us of
another generation of all she was and did?
She was a prolific writer, both prose and verse, and, as we
know, had an extraordinary vogue in her own time.
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