Roman Holidays And Others, By W. D. Howells

























































































 -  It was measurably the same within the church, but it was not quite
the same in the reserves I was - Page 80
Roman Holidays And Others, By W. D. Howells - Page 80 of 186 - First - Home

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It Was Measurably The Same Within The Church, But It Was Not Quite The Same In The Reserves I Was Obliged To Make, The Reefs I Was Obliged To Take In My Rapture.

The fact is, that unless you delight in a hugeness whose bareness no ornamentation can, or does at least, conceal, you do not find the interior of St. Peter's adequate to the exterior.

In the mere article of hugeness, even, it fails through the interposition of the baldachin midway of the vast nave, and each detail seems to fail of the office of beauty more lamentably than another.

I had known, I had never forgotten, that St. Peter's was very, very baroque, but I had not known, I had not remembered how baroque it was. It is not so badly baroque as the Church of the Jesuits either in Rome or in Venice, or as the Cathedral at Wuerzburg; but still it is badly baroque, though, again, not so baroque in the architecture as in the sculpture. In the statues of most of the saints and popes it could not be more baroque; they swagger in their niches or over their tombs in an excess of decadent taste for which the most bigoted agnostic, however Protestant he may be, must generously grieve. It is not conceivably the taste of the church or the faith; it is the taste of the wicked world, now withered and wasted to powerlessness, which overruled both for evil in art from its evil life. The saints and the popes are, assthetically, lamentable enough; but the allegories in bronze or marble, which are mostly the sixteenth-century notions of the Virtues, are inexpressible - some of these creatures ought really to be put out of the place; but I suppose their friends would say they ought to be left as typical of the period. In the case of that merciless miscreant, Queen Christina of Sweden, who has her monument in St. Peter's, there would be people to say she must have her monument in some place; but, all the same, remembering Monaldeschi - how he was stabbed to death by her command, the kinder assassins staying their hands from time to time, while his confessor went vainly to implore her pardon - it is shocking to find her tomb in the prime church in Christendom. At first it offends one to see certain pontiffs with mustaches and imperials and goatees; but, if one reflects that so they wore them in life, one perceives right in it; only when one comes to earlier or later popes, bearded in medieval majority or shaven in the decent modern fashion, one can endure those others only as part of the prevailing baroque of the church. Canova was not so Greek or even so classic as one used to think him, but one hardly has a moment of repose in St. Peter's till one comes to a monument by him and rests in its quiet. It is tame, it is even weak, if you like; but compared with the frantic agglomeration of gilt clouds and sunbursts, and marble and bronze figures in the high-altar, it is heavenly serene and lovely.

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