The Earthy Scent Of The Catacomb Will Cling To The Reader's Clothes, And
He Will Have Two Minds About Keeping
For a souvenir the taper which he
carried, and which the guide wraps in a bit of newspaper for him;
He may
prefer the flower which he is allowed to gather from the tiny garden at
the entrance to the catacombs. Yet these Catacombs of Domatilla are
among the cheer-fulest of all the catacombs, and a sense of something
sweet and appealing invests them from the memory of the gentle lady
whose piety consecrated them as the last home of the refugees and
martyrs. They are of the more recent Roman excavations, but I do not
know whether later or earlier than those which have revealed the house
of the two Christian gentlemen, John and Paul, of unknown surname, where
they suffered death for their faith, under the Passionist church named
for them. Twenty-four rooms on the two stories have been opened, and
there are others yet to be opened; when all are laid bare they will
perfectly show what a Roman city dwelling of the better sort was like in
the mid-imperial time. The plan differs from that of the average
Pompeian house as much as the plan of a cross-town New York dwelling
would differ from that of the average Newport cottage. The rooms are
incomparably smaller than those of the mediaeval palaces of the Roman
nobles, and the decoration is sometimes crudely mixed of pagan and
Christian themes and motives; the artists, like the painters of the
Domatilla catacombs, were probably lingering in the old Greek tradition.
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