The Sole Poetic Novelty Of My Experience Was
In My Being Offered Loaves Of Bread Which, When I Bought Them, Would Be
Given To The Poor, In Honor Of What Saint's Day I Did Not Learn.
But it
was all charming; even the inattention of the young woman over the
book-counter was charming, since
It was a condition of her flirtation
with the far younger man beside me who wanted something far more
interesting from her than any brief sketch of the history of Naples, in
either English or Italian or French or, at the worst, German. She was
very pretty, though rather powdered, and when the young man went away
she was sympathetically regretful to me that there was no such sketch,
in place of which she offered me several large histories in more or less
volumes. But why should I have wanted a history of Naples when I had
Naples itself? It was like wanting a photograph when you have the
original. Had I not just come through the splendid Piazza San
Ferdinando, with the nobly arcaded church on one hand and the
many-statued royal palace on the other, and between them a lake of
mellow sunshine, as warm as ours in June?
What I found Naples and the Neapolitans in 1908 I had found them in
1864, and Mr. Gray (as he of the "Elegy" used to be called on his
title-pages) found them in 1740. "The streets," he wrote home to his
mother, "are one continued market, and thronged with populace so much
that a coach can hardly pass. The common sort are a jolly, lively kind
of animals, more industrious than Italians usually are; they work till
evening; then they take their lute or guitar (for they all play) and
walk about the city or upon the seashore with it, to enjoy the fresco."
There was, in fact, a bold gayety in the aspect of the city, without the
refinement which you do not begin to feel till you get into North Italy.
When I came upon church after church, with its facade of Spanish
baroque, I lamented the want of Gothic delicacy and beauty, but I was
consoled abundantly later in the churches antedating the Spanish
domination. I had no reason, such as travellers give for hating places,
to be dissatisfied with Naples in any way. I had been warned that the
customs officers were terrible there, and that I might be kept hours
with my baggage. But the inspector, after the politest demand for a
declaration of tobacco, ordered only a small valise, the Benjamin of its
tribe, opened and then closed untouched; and his courteous forbearance,
acknowledged later through the hotel porter, cost me but a dollar. The
hotel itself was inexpressibly better in lighting, heating, service, and
table than any New York hotel at twice the money - in fact, no money
could buy the like with us at any hotel I know of; but this is a theme
which I hope to treat more fully hereafter. It is true that the streets
of Naples are very long and rather narrow and pretty crooked, and full
of a damp cold that no sunlight seems ever to hunt out of them; but then
they are seldom ironed down with trolley-tracks; the cabs feel their way
among the swarming crowds with warning voices and smacking whips; even
the prepotent automobile shows some tenderness for human life and limb,
and proceeds still more cautiously than the cabs and carts - in fact, I
thought I saw recurrent proofs of that respect for the average man which
seems the characteristic note of Italian liberty; and this belief of
mine, bred of my first observations in Naples, did not, after twelve
weeks in Italy, prove an illusion. If it is not the equality we fancy
ourselves having, it is rather more fraternity in effect.
The failure of other researches for that sketch of Neapolitan history
left me in the final ignorance which I must share with the reader; but
my inquiries brought me prompt knowledge of one of those charming
features in which the Italian cities excel, if they are not unique. I
remember too vaguely the Galleria, as they call the beautiful glazed
arcade of Milan, to be sure that it is finer than the Galleria at
Naples, but I am sure this is finer than that at Genoa, with which,
however, I know nothing in other cities to compare. The Neapolitan
gallery, wider than any avenue of the place, branching in the form of a
Greek cross to four principal streets, is lighted by its roof of glass,
and a hundred brilliant shops and cafes spread their business and
leisure over its marble floor. Nothing could be architecturally more
cheerful, and, if it were not too hot in summer, there could be no doubt
of its adaptation to our year, for it could be easily closed against the
winter by great portals, and at other seasons would give that out-door
expansion which in Latin countries hospitably offers the spectacle of
pleasant eating and drinking to people who have nothing to eat and
drink. These spectators could be kept at a distance with us by porters
at the entrances, while they would not be altogether deprived of the
gratifying glimpses.
I do not know whether poverty avails itself of its privileges by
visiting the Neapolitan gallery; but probably, like poverty elsewhere,
it is too much interested by the drama of life in its own quarter ever
willingly to leave it. Poverty is very conservative, for reasons more
than one; its quarter in Naples is the oldest, and was the most
responsive to our recollections of the Naples of 1864. Overhead the
houses tower and beetle with their balconies and bulging casements,
shutting the sun, except at noon, from the squalor below, where the
varied dwellers bargain and battle and ply their different trades,
bringing their work from the dusk of cavernous shops to their doorways
for the advantage of the prevailing twilight.
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