Familiar Spanish Travels, By W. D. Howells

























































































 -  Of one thing we made memorably sure beyond the gulf of the
Darro, and that was the famous gipsy quarter - Page 87
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Of One Thing We Made Memorably Sure Beyond The Gulf Of The Darro, And That Was The Famous Gipsy Quarter Which The Traveler Visits At The Risk Of His Life In Order To Have His Fortune Told.

At the same moment we made sure that we should not go nearer it, for though we knew that it was insurpassably dirty as well as dangerous, we remembered so distinctly the loathsomeness of the gipsy quarter at Seville that we felt no desire to put it to the comparison.

We preferred rather the bird's-eye study of the beautiful Generalife which our outlook enabled us to make, and which we supplemented by a visit the next day. We preferred, after the Barmecide lunch at our hotel, taking the tram-car that noisily and more noisily clambers up and down, and descending into the town by it. The ascent is so steep that at a certain point the electric current no longer suffices, and the car bites into the line of cogs with its sort of powerful under-jaw and so arrives. Yet it is a kindly little vehicle, with a conductor so affectionately careful in transporting the stranger that I felt after a single day we should soon become brothers, or at least step-brothers. Whenever we left or took his car, after the beginning or ending of the cogway, he was alert to see that we made the right change to or from it, and that we no more overpaid than underpaid him. Such homely natures console the traveler for the thousand inhospitalities of travel, and bind races and religions together in spite of patriotism and piety.

We were going first to the Cartuja, and in the city, which we found curiously much more modern, after the Latin notion, than Seville, with freshly built apartment-houses and business blocks, we took a cab, not so modern as to be a taxicab, and drove through the quarter said to have been assigned to the Moors after the fall of Granada. The dust lay thick in the roadway where filthy children played, but in the sunny doorways good mothers of families crouched taking away the popular reproach of vermin by searching one another's heads. Men bestriding their donkeys rode fearlessly through the dust, and one cleanly-looking old peasant woman, who sat hers plumply cushioned and framed in with a chair-back and arms, showed a patience with the young trees planted for future shade along the desperate avenue which I could wish we had emulated. When we reached the entrance of the old Carthusian Convent, long since suppressed and its brothers exiled, a strong force of beggarmen waited for us, but a modest beggar-woman, old and sad, had withdrawn to the church door, where she shared in our impartial alms. We were admitted to the cloister, rather oddly, by a young girl, who went for one of the remaining monks to show us the church. He came with a newspaper (I hope of clerical politics) in his hand, and distracted himself from it only long enough to draw a curtain, or turn on a light, and point out a picture or statue from time to time. But he was visibly anxious to get back to it, and sped us more eagerly than he welcomed us in a church which upon the whole is richer in its peculiar treasures of painting, sculpture, especially in wood, costly marble, and precious stones than any other I remember. According to my custom, I leave it to the guide-books to name these, and to the abounding critics of Spanish art to celebrate the pictures and statues; it is enough for me that I have now forgotten them all except those scenes of the martyrdom inflicted by certain Protestants on members of the Carthusian brotherhood at the time when all sorts of Christians felt bound to correct the opinions of all other sorts by the cruelest tortures they could invent. When the monk had put us to shame by the sight of these paintings (bad as their subjects), he put us out, letting his eyes fall back upon his newspaper before the door had well closed upon us.

The beggarmen had waited in their places to give us another chance of meriting heaven; and at the church door still crouched the old beggarwoinan. I saw now that the imploring eyes she lifted were sightless, and I could not forbear another alms, and as I put my copper big-dog in her leathern palm I said, _"Adios, madre."_ Then happened something that I had long desired. I had heard and read that in Spain people always said at parting, "Go with God," but up to that moment nobody had said it to me, though I had lingeringly given many the opportunity. Now, at my words and at the touch of my coin this old beggarwoman smiled beneficently and said, "Go with God," or, as she put it in her Spanish, "_Vaya vested con Dios."_ Immediately I ought to have pressed another coin in her palm, with a _"Gracias, madre; muchas gracias,"_ out of regard to the literary climax; but whether I really did so I cannot now remember; I can only hope I did.

VII

I think that it was while I was still in this high satisfaction that we went a drive in the promenade, which in all Spanish cities is the Alameda, except Seville, where it so deservedly is the Delicias. It was in every way a contrast to the road we had come from the Cartuja: an avenue of gardened paths and embowered driveways, where we hoped to join the rank and fashion of Granada in their afternoon's outing. But there was only one carriage besides our own with people in it, who looked no greater world than ourselves, and a little girl riding with her groom. On one hand were pretty villas, new-looking and neat, which I heard could sometimes be taken for the summer at rents so low that I am glad I have forgotten the exact figures lest the reader should doubt my word. Nothing but the fact that the winter was then hanging over us from the Sierras prevented my taking one of them for the summer that had passed, the Granadan summer being notoriously the most delightful in the world. On the other hand stretched the wonderful Vega, which covers so many acres in history and romance, and there, so near that we look down into them at times were "the silvery windings of the Xenil," which glides through so many descriptive passages of Irving's page; only now, on account of recent rain, its windings were rather coppery.

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