Familiar Spanish Travels, By W. D. Howells

























































































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III


We did not know as yet how almost entirely dramatic the palace of the
Alcazar was, how largely it - Page 72
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III We Did Not Know As Yet How Almost Entirely Dramatic The Palace Of The Alcazar Was, How Largely It

Was representative of what the Spanish successors of the Moorish kings thought those kings would have made it if they

Had made it; and it was prohably through an instinct for the genuine that we preferred the gardens after our first cries of wonder. What remains to me of our many visits is the mass of high borders of box, with roses, jasmine, and orange trees, palms, and cypresses. The fountains dribbled rather than gushed, and everywhere were ranks and rows of plants in large, high earthen pots beside or upon the tiled benching that faced the fountains and would have been easier to sit on if you had not had to supply the back yourself. The flowers were not in great profusion, and chiefly we rejoiced in the familiar quaintness of clumps of massive blood-red coxcombs and strange yellow ones. The walks were bordered with box, and there remains distinctly the impression of marble steps and mosaic seats inlaid with tiles; all Seville seems inlaid with tiles. One afternoon we lingered longer than usual because the day was so sunnily warm in the garden paths and spaces, without being hot. A gardener whom we saw oftenest hung about his flowers in a sort of vegetable calm, and not very different from theirs except that they were not smoking cigarettes. He did not move a muscle or falter in his apparently unseeing gaze; but when one of us picked a seed from the ground and wondered what it was he said it was a magnolia seed, and as if he could bear no more went away. In one wilding place which seemed set apart for a nursery several men were idly working with many pauses, but not so many as to make the spectator nervous. As the afternoon waned and the sun sank, its level rays dwelt on the galleries of the palace which Peter the Cruel built himself and made so ugly with harsh brown stucco ornament that it set your teeth on edge, and with gigantic frescos exaggerated from the Italian, and very coarse and rank.

It was this savage prince who invented much of the Alcazar in the soft Moorish taste; but in those hideous galleries he let his terrible nature loose, though as for that some say he was no crueler than certain other Spanish kings of that period. This is the notion of my unadvertised _Encyclopaedia Britannica,_ and perhaps we ought to think of him leniently as Peter the Ferocious. He was kind to some people and was popularly known as the Justiciary; he especially liked the Moors and Jews, who were gratefully glad, poor things, of being liked by any one under the new Christian rule. But he certainly killed several of his half-brothers, and notably he killed his half-brother Don Fadrique in the Alcazar. That is, if he had no hand in the butchery himself he had him killed after luring him to Seville for the tournaments and forgiving him for all their mutual injuries with every caressing circumstance. One reads that after the king has kissed him he sits down again to his game of backgammon and Don Fadrique goes into the next room to Maria do Padilla, the lovely and gentle lady whom Don Pedro has married as much as he can with a wedded wife shut up in Toledo. She sits there in terror with her damsels and tries with looks and signs to make Don Fadrique aware of his danger. But he imagines no harm till the king and his companions, with their daggers drawn, come to the curtains, which the king parts, commanding, "Seize the Master of Santiago!" Don Fadrique tries to draw his sword, and then he turns and flies through the halls of the Alcazar, where he finds every door bolted and barred. The king's men are at his heels, and at last one of them fells him with a blow of his mace. The king goes back with a face of sympathy to Maria, who has fallen to the floor.

The treacherous keeping is all rather in the taste of the Italian Renaissance, but the murder itself is more Roman, as the Spanish atrocities and amusements are apt to be. Murray says it was in the beautiful Hall of the Ambassadors that Don Fadrique was killed, but the other manuals are not so specific. Wherever it was, there is a blood-stain in the pavement which our Granadan guide failed to show us, possibly from a patriotic pique that there are no blood-stains in the Alhambra with personal associations. I cannot say that much is to be made of the vaulted tunnel where poor Maria de Padilla used to bathe, probably not much comforted by the courtiers afterward drinking the water from the tank; she must have thought the compliment rather nasty, and no doubt it was paid her to please Don Pedro.

We found it pleasanter going and coming through the corridor leading to the gardens from the public court. This was kept at the outer end by an "old rancid Christian" smoking incessant cigarettes and not explicitly refusing to sell us picture postals after taking our entrance fee; the other end was held by a young, blond, sickly-looking girl, who made us take small nosegays at our own price and whom it became a game to see if we could escape. I have left saying to the last that the king and queen of Spain have a residence in the Alcazar, and that when they come in the early spring they do not mind corning to it through that plebeian quadrangle. I should not mind it myself if I could go back there next spring.

IV

We had refused with loathing the offer of those gipsy jades to dance for us in their noisome purlieu at Triana, but we were not proof against the chance of seeing some gipsy dancing in a cafe-theater one night in Seville.

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