It Is Said, But I Do Not Know Whether It Is True, That The Young English Queen Who Has Gladly

Renounced her nation and religion for the people who seem so to love her, cannot endure the bloody sights of

The bull-feast; and when it comes to the horses dragging their entrails across the ring, or the _espada_ despatching the bull, or the bull tossing a _landerillero_ in the air she puts up her fan. It is said also that the young Spanish king, who has shown himself such a merciful-minded youth, and seems so eager to make the best of the bad business of being a king at all, sympathizes with her, and shows an obviously abated interest at these supreme moments.

I do not know whether or not it was because we had failed with the bull-feast that we failed to go to any sort of public entertainment in Madrid. It certainly was in my book to go to the theater, and see some of those modern plays which I had read so many of, and which I had translated one of for Lawrence Barrett in the far-off days before the flood of native American dramas now deluging our theater. That play was "Un Drama Nueva," by Estebanez, which between us we called "Yorick's Love" and which my very knightly tragedian made his battle-horse during the latter years of his life. In another version Barrett had seen it fail in New York, but its failure left him with the lasting desire to do it himself. A Spanish friend, now dead but then the gifted and eccentric Consul General at Quebec, got me a copy of the play from Madrid, and I thought there was great reason in a suggestion from another friend that it had failed because it put Shakespeare on the stage as one of its characters; but it seemed to me that the trouble could be got over by making the poet Heywood represent the Shakespearian epoch. I did this and the sole obstacle to its success seemed removed. It went, as the enthusiastic Barrett used to say, "with a shout," though to please him I had hurt it all I could by some additions and adaptations; and though it was a most ridiculously romantic story of the tragical loves of Yorick (whom the Latins like to go on imagining out of Hamlet a much more interesting and important character than Shakespeare ever meant him to be fancied), and ought to have remained the fiasco it began, still it gained Barrett much money and me some little.

I was always proud of this success, and I boasted of it to the bookseller in Madrid, whom I interested in finding me some still moderner plays after quite failing to interest another bookseller. Your Spanish merchant seems seldom concerned in a mercantile transaction; but perhaps it was not so strange in the case of this Spanish bookseller because he was a German and spoke a surprising English in response to my demand whether he spoke any.

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