Our Way To The Gate, Which Was The Famous Gate Of Justice And Was Lovely
Enough To Be The Gate Of Mercy, Lay Through The Beautiful Woods, Mostly
Elms, Planted There By The English Early In The Last Century.
The birds
sang in their tops, and the waters warbled at their feet, and it was
somewhat thrillingly cold in their dense shade, so that we were glad to
get out of it, and into the sunshine where the old Moorish palace lay
basking and dreaming.
At once let me confide to the impatient reader
that the whole Alhambra, by which he must understand a citadel, and
almost a city, since it could, if it never did, hold twenty thousand
people within its walls, is only historically and not artistically more
Moorish than the Alcazar at Seville. Far nobler and more beautiful than
its Arabic decorativeness in tinted stucco is the palace begun by
Charles V., after a design in the spirit of the supreme hour of the
Italian Renaissance. It is not a ruin in its long arrest, and one hears
with hopeful sympathy that the Spanish king means some day to complete
it. To be sure, the world is, perhaps, already full enough of royal
palaces, but since they return sooner or later to the people whose
pockets they come out of, one must be willing to have this palace
completed as the architect imagined it.
We were followed into the Moorish palace by the music of three blind
minstrels who began to tune their guitars as soon as they felt us:
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