I Do Not Think That A Company Of Hidalgos In Complete Medieval Armor Could Have Moved Me More Strongly Than That First Sight Of These Wine-Skins, Distended With Wine, Which We Had Caught In Approaching The House Of Miranda.

We had to stop in the narrow street, and let them pass piled high on a vintner's wagon, and looking like a load of pork:

They are trimmed and left to keep the shape of the living pig, which they emulate at its bulkiest, less the head and feet, and seem to roll in fatness. It was joy to realize what they were, to feel how Spanish, how literary, how picturesque, how romantic. There they were such as the wine-skins are that hang from the trees of pleasant groves in many a merry tale, and invite all swains and shepherds and wandering cavaliers to tap their bulk and drain its rich plethora. There they were such as Don Quixote, waking from his dream at the inn, saw them malignant giants and fell enchanters, and slashed them with his sword till he had spilled the room half full of their blood. For me this first sight of them was magic. It brought back my boyhood as nothing else had yet, and I never afterward saw them without a return to those days of my delight in all Spanish things.

Literature and its associations, no matter from how lowly suggestion, must always be first for me, and I still thought of those wine-skins in yielding to the claims of the cathedral on my wonder and reverence when now for the second time we came to it. The funeral ceremony of the dean was still in course, and after listening for a moment to the mighty orchestral music of it - the deep bass of the priests swelling up with the organ notes, and suddenly shot with the shrill, sharp trebles of the choir-boys and pierced with the keen strains of the violins - we left the cathedral to the solemn old ecclesiastics who sat confronting the bier, and once more deferred our more detailed and intimate wonder. We went, in this suspense of emotion, to the famous Convent of Las Huelgas, which invites noble ladies to its cloistered repose a little beyond the town. We entered to the convent church through a sort of slovenly court where a little girl begged severely, almost censoriously, of us, and presently a cold-faced young priest came and opened the church door. Then we found the interior of that rank Spanish baroque which escapes somehow the effeminate effusiveness of the Italian; it does not affect you as decadent, but as something vigorously perfect in its sort, somberly authentic, and ripe from a root and not a graft. In its sort, the high altar, a gigantic triune, with massive twisted columns and swagger statues of saints and heroes in painted wood, is a prodigy of inventive piety, and compositely has a noble exaltation in its powerful lift to the roof.

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