Castilian Days By John Hay
























































































 -  Das Ewig-Weibliche masters and guides him still.

This retreat in the autumn of 1832 was the scene of a - Page 41
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"Das Ewig-Weibliche" Masters And Guides Him Still.

This retreat in the autumn of 1832 was the scene of a prodigious exhibition of courage and energy on the part of another Italian woman, Dona Louisa Carlota de Borbon.

Ferdinand VIL, his mind weakened by illness, and influenced by his ministers, had proclaimed his brother Don Carlos heir to the throne, to the exclusion of his own infant daughter. His wife, Queen Christine, broken down by the long conflict, had given way in despair. But her sister, Dona Louisa Carlota, heard of the news in the south of Spain, and, leaving her babies at Cadiz (two little urchins, one of whom was to be king consort, and the other was to fall by his cousin Montpensier's hand in the field of Carabanchel), she posted without a moment's pause for rest or sleep over mountains and plains from the sea to La Granja. She fought with the lackeys and the ministers twenty-four hours before she could see her sister the queen. Having breathed into Christine her own invincible spirit, they succeeded, after endless pains, in reaching the king. Obstinate as the weak often are, he refused at first to listen to them; but by their womanly wiles, their Italian policy, their magnetic force, they at last brought him to revoke his decree in favor of Don Carlos and to recognize the right of his daughter to the crown. Then, terrible in her triumph, Dona Louisa Carlota sent for the Minister Calomarde, overwhelmed him with the coarsest and most furious abuse, and, unable to confine her victorious rage and hate to words alone, she slapped the astounded minister in the face. Calomarde, trembling with rage, bowed and said, "A white hand cannot offend."

There is nothing stronger than a woman's weakness, or weaker than a woman's strength.

A few years later, when Ferdinand was in his grave, and the baby Isabel reigned under the regency of Christine, a movement in favor of the constitution of 1812 burst out, where revolutions generally do, in the south, and spread rapidly over the contiguous provinces. The infection gained the troops of the royal guard at La Granja, and they surrounded the palace bawling for the constitution. The regentess, with a proud reliance upon her own power, ordered them to send a deputation to her apartment. A dozen of the mutineers came in, and demanded the constitution.

"What is that?" asked the queen.

They looked at each other and cudgelled their brains. They had never thought of that before.

"Caramba!" said they. "We don't know. They say it is a good thing, and will raise our pay and make salt cheaper."

Their political economy was somewhat flimsy, but they had the bayonets, and the queen was compelled to give way and proclaim the constitution.

I must add one trifling reminiscence more of La Granja, which has also its little moral. A friend of mine, a colonel of engineers, in the summer before the revolution, was standing before the palace with some officers, when a mean-looking cur ran past.

"What an ugly dog!" said the colonel.

"Hush!" replied another, with an awe-struck face. "That is the dog of his royal highness the Prince of Asturias."

The colonel unfortunately had a logical mind, and failed to see that ownership had any bearing on a purely aesthetic question. He defined his position. "I do not think the dog is ugly because he belongs to the prince. I only mean the prince has an ugly dog."

The window just above them slammed, and another officer came up and said that the Adversary was to pay. "THE QUEEN was at the window and heard every word you said."

An hour after the colonel received an order from the commandant of the place, revoking his leave of absence and ordering him to duty in Madrid. It is not very surprising that this officer was at the Bridge of Alcolea.

At noon the day grew dark with clouds, and the black storm-wreath came down over the mountains. A terrific fire of artillery resounded for a half-hour in the craggy peaks about us, and a driving shower passed over palace and gardens. Then the sun came out again, the pleasure-grounds were fresher and greener than ever, and the visitors thronged in the court of the palace to see the fountains in play. The regent led the way on foot. The general followed in a pony phaeton, and ministers, adjutants, and the population of the district trooped along in a party-colored mass.

It was a good afternoon's work to visit all the fountains. They are twenty-six in number, strewn over the undulating grounds. People who visit Paris usually consider a day of Grandes Eaux at Versailles the last word of this species of costly trifling. But the waters at Versailles bear no comparison with those of La Granja. The sense is fatigued and bewildered here with their magnificence and infinite variety. The vast reservoir in the bosom of the mountain, filled with the purest water, gives a possibility of more superb effects than have been attained anywhere else in the world. The Fountain of the Winds is one, where a vast mass of water springs into the air from the foot of a great cavernous rock; there is a succession of exquisite cascades called the Race-Course, filled with graceful statuary; a colossal group of Apollo slaying the Python, who in his death agony bleeds a torrent of water; the Basket of Flowers, which throws up a system of forty jets; the great single jet called Fame, which leaps one hundred and thirty feet into the air, a Niagara reversed; and the crowning glory of the garden, the Baths of Diana, an immense stage scene in marble and bronze, crowded with nymphs and hunting-parties, wild beasts and birds, and everywhere the wildest luxuriance of spouting waters. We were told that it was one of the royal caprices of a recent tenant of the palace to emulate her chaste prototype of the silver bow by choosing this artistic basin for her ablutions, a sufficient number of civil guards being posted to prevent the approach of Castilian Actaeons.

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