It Has The Lightness And The
Strength, The Absence Of Ornament And The Essential Beauty, The Vastness
And The Perfection, Of A Work Of Nature.
It is one of those gigantic works of Trajan, so common in that
magnificent age that Roman authors do not allude to it.
It was built to
bring the cool mountain water of the Sierra Fonfria a distance of nine
miles through the hills, the gulches, and the pine forests of Valsain,
and over the open plain to the thirsty city of Segovia. The aqueduct
proper runs from the old tower of Caseron three thousand feet to the
reservoir where the water deposits its sand and sediment, and thence
begins the series of one hundred and nineteen arches, which traverse
three thousand feet more and pass the valley, the arrabal, and reach the
citadel. It is composed of great blocks of granite, so perfectly framed
and fitted that not a particle of mortar or cement is employed in the
construction.
The wonder of the work is not so much in its vastness or its beauty as
in its tremendous solidity and duration. A portion of it had been cut
away by barbarous armies during the fifteenth century, and in the reign
of Isabella the Catholic the monk-architect of the Parral, Juan
Escovedo, the greatest builder of his day in Spain, repaired it. These
repairs have themselves twice needed repairing since then. Marshal Ney,
when he came to this portion of the monument, exclaimed, "Here begins
the work of men's hands."
The true Segovian would hoot at you if you assigned any mortal paternity
to the aqueduct.
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