One Marvels At The Man Who,
In Such A Period, Preserved This Mood Of Liberal Leisure.
His style
is perfectly suited to the matter; diffuse, ornate, amusingly
affected; altogether a precious mode of writing, characteristic of
literary decadence.
When the moment demands it, he is pompously
grandiloquent; in dealing with a delicate situation, he becomes
involved and obscure. We perceive in him a born courtier, a proud
noble, a statesman of high purpose and no little sagacity;
therewith, many gracious and attractive qualities, coloured by
weaknesses, such as agreeable pedantry and amiable self-esteem,
which are in part personal, partly the note of his time.
One's picture of the man is, of course, completed from a knowledge
of the latter years of his life, of the works produced during his
monastic retirement. Christianity rarely finds expression in the
Variae, a point sufficiently explained by the Gothic heresy, which
imposed discretion in public utterances; on the other hand, pagan
mythology abounds; we observe the hold it still had upon educated
minds - education, indeed, meaning much the same thing in the sixth
century after Christ as in the early times of the Empire.
Cassiodorus can never have been a fanatical devotee of any creed. Of
his sincere piety there is no doubt; it appears in a vast commentary
on the Psalms, and more clearly in the book he wrote for the
guidance and edification of his brother monks - brothers
(carissimi fratres), for in his humility he declined to become the
Abbot of Vivariense; enough that his worldly dignity, his spiritual
and mental graces, assured to him the influence he desired.
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