Old Calabria By Norman Douglas














































































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From this ancient monastery comes, I fancy, the Achiropita image.
Montorio will tell you all about it; he learnt its - Page 45
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From This Ancient Monastery Comes, I Fancy, The Achiropita Image. Montorio Will Tell You All About It; He Learnt Its History In June 1712 From The Local Archbishop, Who Had Extracted His Information Out Of The Episcopal Archives.

Concerning another of these wonder-working idols - that of S. M. del Patirion - you may read in the ponderous tomes of Ughelli.

Whether the celebrated Purple Codex of Rossano ever formed part of the library of Patirion has not yet been determined. This wonderful parchment - now preserved at Rossano - is mentioned for the first time by Cesare Malpica, who wrote some interesting things about the Albanian and Greek colonies in Calabria, but it was only discovered, in the right sense of that word, in March 1879 by Gebhardt and Harnack. They illustrated it in their Evangeliorum Codex Graecus. Haseloff also described it in 1898 (Codex Purpureus Rossanensis), and pointed out that its iconographical value consists in the fact that it is the only Greek Testament MS. containing pictures of the life of Christ before the eighth-ninth century. These pictures are indeed marvellous - more marvellous than beautiful, like so many Byzantine productions; their value is such that the parchment has now been declared a "national monument." It is sternly guarded, and if it is moved out of Rossano - as happened lately when it was exhibited at Grottaferrata - it travels in the company of armed carbineers.

Still pursued by the flock of women, I took to examining the floor of this church, which contains tesselated marble pavements depicting centaurs, unicorns, lions, stags, and other beasts. But my contemplation of these choice relics was disturbed by irrelevant remarks on the part of the worldly females, who discovered in the head of the stag some subtle peculiarity that stirred their sense of humour.

"Look!" said one of them to her neighbour. "He has horns. Just like your Pasquale."

"Pasquale indeed! And how about Antonio?"

I enquired whether they knew what kind of animals these were.

"Beasts of the ancients. Beasts that nobody knows. Beasts that have horns - like certain Christians. . . ."

From the terrace of green sward that fronts this ruined monastery you can see the little town of Corigliano, whose coquettish white houses lie in a fold of the hills. Corigliano - [Greek: xorion hellaion] (land of olives): the derivation, if not correct, is at least appropriate, for it lies embowered in a forest of these trees. A gay place it was, in Bourbon times, with a ducal ruler of its own. Here, they say, the remnants of the Sybarites took refuge after the destruction of their city whose desolate plain lies at our feet, backed by the noble range of Dolcedorme. Swinburne, like a sensible man, takes the Sybarites under his protection; he defends their artificially shaded streets and those other signs of voluptuousness which, to judge by certain modern researches, seem to have been chiefly contrived for combating the demon of malaria. Earthly welfare, the cult of material health and ease - such was their ideal.

In sharpest contrast to these strivings stands the aim of those old monks who scorned the body as a mere encumbrance, seeking spiritual enlightenment and things not of this earth.

And now, Sybarites and Basileans - alike in ruins!

A man of to-day, asked which of the two civilizations he would wish restored, would not hesitate long in deciding for the Hellenic one. Readers of Lenormant will call to mind his glowing pages on the wonders that might be found buried on the site of Sybaris. His plan of excavation sounds feasible enough. But how remote it becomes, when one remembers the case of Herculaneum! Here, to our certain knowledge, many miracles of antique art and literature lie within a few feet of our reach; yet nothing is done. These hidden monuments, which are the heritage of all humanity, are withheld from our eyes by the dog-in-the-manger policy of a country which, even without foreign assistance, could easily accomplish the work, were it to employ thereon only half the sum now spent in feeding, clothing and supervising a horde of criminals, every one of whom ought to be hanged ten times over. Meanwhile other nations are forbidden to co-operate; the fair-minded German proposals were scornfully rejected; later on, those of Sir Charles Waldstein.

"What!" says the Giornale d' Italia, "are we to have international excavation-committees thrust upon us? Are we to be treated like the Turks?"

That, gentle sirs, is precisely the state of the case.

The object of such committees is to do for the good of mankind what a single nation is powerless or unwilling to do. Your behaviour at Herculaneum is identical with that of the Turks at Nineveh. The system adopted should likewise be the same.

I shall never see that consummation.

But I shall not forget a certain article in an American paper - "The New York Times," I fancy - which gave me fresh food for thought, here at Patirion, in the sight of that old Hellenic colony, and with the light chatter of those women still ringing in my ears. Its writer, with whom not all of us will agree, declared that first in importance of all the antiquities buried in Italian soil come the lost poems of Sappho. The lost poems of Sappho - a singular choice! In corroboration whereof he quoted the extravagant praise of J. A. Symonds upon that amiable and ambiguous young person. And he might have added Algernon Swinburne, who calls her "the greatest poet who ever was at all."

Sappho and these two Victorians, I said to myself. . . . Why just these two? How keen is the cry of elective affinity athwart the ages! The soul, says Plato, divines that which it seeks, and traces obscurely the footsteps of its obscure desire.

The footsteps of its obscure desire - -

So one stumbles, inadvertently, upon problems of the day concerning which our sages profess to know nothing. And yet I do perceive a certain Writing upon the Wall setting forth, in clearest language, that 1 + 1 = 3; a legend which it behoves them not to expunge, but to expound.

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