C'est beau, mais ce n'est pas la
guerre.
The gods, they say, are ever young, and a certain sensuous and fleshly
note is essential to those of Italy if they are to retain the love of
their worshippers. Granted. We do not need a scarred and hirsute
veteran; but we need, at least, a personage capable of wielding the
sword, a figure something like this: -
His starry helm unbuckled show'd his prime In manhood where youth ended;
by his side As in a glist'ring zodiac hung the sword, Satan's dire
dread, and in his hand the spear. . . .
There! That is an archangel of the right kind.
And the great dragon, that old serpent, called the Devil, and Satan, has
suffered a similar transformation. He is shrunk into a poor little
reptile, the merest worm, hardly worth crushing.
But how should a sublime conception like the apocalyptic hero appeal to
the common herd? These formidable shapes emerge from the dusk, offspring
of momentous epochs; they stand aloof at first, but presently their
luminous grandeur is dulled, their haughty contour sullied and
obliterated by attrition. They are dragged down to the level of their
lowest adorers, for the whole flock adapts its pace to that of the
weakest lamb. No self-respecting deity will endure this treatment - to be
popularized and made intelligible to a crowd.
