It takes forty-five minutes to reach the shore by means of two
railways in whose carriages the citizens descend after wild scrambles
for places, packed tight as sardines in the sweltering heat. Only a
genuine enthusiast will undertake the trip more than once. For the
Marina itself - at this season, at least - is an unappetizing spot; a
sordid agglomeration of houses, a few dirty fruit-stalls, ankle-deep
dust, swarms of flies. I prefer to sleep through the warm hours of the
day, and then take the air in that delightful public garden which, by
the way, has already become too small for the increasing population.
At its entrance stands the civic museum, entrusted, just now, to the
care of a quite remarkably ignorant and slatternly woman. It contains
two rooms, whose exhibits are smothered in dust and cobwebs; as
neglected, in short, as her own brats that sprawl about its floor. I
enquired whether she possessed no catalogue to show where the objects,
bearing no labels, had been found. A catalogue was unnecessary, she
said; she knew everything - everything!
And everything, apparently, hailed from "Stromboli." The Tiriolo helmet,
the Greek vases, all the rest of the real and sham treasures of this
establishment: they were all discovered at Stromboli.
"Those coins - whence?"
"Stromboli!"
Noticing some neolithic celts similar to those I obtained at Vaccarizza,
I would gladly have learnt their place of origin.
