Old Calabria By Norman Douglas














































































 -  Our present-day ghosts are like seismographs; they
chronicle the event after it has happened. Now, what we want is - Page 180
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Our Present-Day Ghosts Are Like Seismographs; They Chronicle The Event After It Has Happened.

Now, what we want is - -

"The Signore smokes, and smokes, and smokes. Why not take the tram and listen to the municipal music in the gardens?"

"Music? Gardens? An excellent suggestion, Gennarino."

Even as a small Italian town would be incomplete without its piazza where streets converge and commercial pulses beat their liveliest measure, so every larger one contrives to possess a public garden for the evening disport of its citizens; night-life being the true life of the south. Charming they are, most of them; none more delectable than that of old Messina - a spacious pleasaunce, decked out with trim palms and flower-beds and labyrinthine walks freshly watered, and cooled, that evening, by stealthy breezes from the sea. The grounds were festively illuminated, and as I sat down near the bandstand and watched the folk meandering to and fro, I calculated that no fewer than thirty thousand persons were abroad, taking their pleasure under the trees, in the bland air of evening. An orderly, well-dressed crowd. We may smile when they tell us that these people will stint themselves of the necessities of life in order to wear fine clothes, but the effect, for an outsider, is all that it should be. For the rest, the very urchins, gambolling about, had an air of happy prosperity, different from the squalor of the north with its pinched white faces, its over-breeding and under-feeding.

And how well the sensuous Italian strains accord with such an hour and scene! They were playing, if I remember rightly, the ever-popular Aida; other items followed later - more ambitious ones; a Hungarian rhapsody, Berlioz, a selection from Wagner.

"Musica filosofica" said my neighbour, alluding to the German composer. He was a spare man of about sixty; a sunburnt, military countenance, seamed by lines of suffering. "Non va in Sicilia - it won't do in this country. Not that we fail to appreciate your great thinkers," he added. "We read and admire your Schopenhauer, your Spencer. They give passable representations of Wagner in Naples. But - - "

"The climate?"

"Precisely. I have travelled, sir; and knowing your Berlin, and London, and Boston, have been able to observe how ill our Italian architecture looks under your grey skies, how ill our music sounds among the complex appliances of your artificial life. It has made you earnest, this climate of yours, and prone to take earnestly your very pastimes. Music, for us, has remained what it was in the Golden Age - an unburdening of the soul on a summer's night. They play well, these fellows. Palermo, too, has a respectable band - Oh! a little too fast, that recitativo!"

"The Signore is a musician?"

"A proprietario. But I delight in music, and I beguiled myself with the fiddle as a youngster. Nowadays - look here!" And he extended his hand; it was crippled. "Rheumatism. I have it here, and here" - pointing to various regions of his body - "and here!

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