Old Calabria By Norman Douglas














































































 -  But the
pedagogues of Italy are like her legislators: theorists. They close
their eyes to the cardinal principles of all - Page 144
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But The Pedagogues Of Italy Are Like Her Legislators:

Theorists.

They close their eyes to the cardinal principles of all education - that the waste products and toxins of the imagination are best eliminated by motor activities, and that the immature stage of human development, far from being artificially shortened, should be prolonged by every possible means. . If the internal arrangement of this institution is not all it might be as regards the healthy development of youth, the situation of the college resembles the venerable structures of Oxford in that it is too good, far too good, for mere youngsters. This building, in its seclusion from the world, its pastoral surroundings and soul-inspiring panorama, is an abode not for boys but for philosophers; a place to fill with a wave of deep content the sage who has outgrown earthly ambitions. Your eye embraces the snow-clad heights of Dolcedorme and the Ionian Sea, wandering over forests, and villages, and rivers, and long reaches of fertile country; but it is not the variety of the scene, nor yet the historical memories of old Sybaris which kindle the imagination so much as the spacious amplitude of the whole prospect. In England we think something of a view of ten miles. Conceive, here, a grandiose valley wider than from Dover to Calais, filled with an atmosphere of such impeccable clarity that there are moments when one thinks to see every stone and every bush on the mountains yonder, thirty miles distant. And the cloud-effects, towards sunset, are such as would inspire the brush of Turner or Claude Lorraine. . . .

For the college, as befits its grave academic character, stands by itself among fruitful fields and backed by a chestnut wood, at ten minutes' walk from the crowded streets. It is an imposing edifice - the Basilean convent of St. Adrian, with copious modern additions; the founders may well have selected this particular site on account of its fountain of fresh water, which flows on as in days of yore. One thinks of those communities of monks in the Middle Ages, scattered over this wild region and holding rare converse with one another by gloomy forest paths - how remote their life and ideals! In the days of Fiore (1691) the inmates of this convent still practised their old rites.

The nucleus of the building is the old chapel, containing a remarkable font; two antique columns sawn up (apparently for purposes of transportation from some pagan temple by the shore) - one of them being of African marble and the other of grey granite; there is also a tessellated pavement with beast-patterns of leopards and serpents akin to those of Patir. Bertaux gives a reproduction of this serpent; he assimilates it, as regards technique and age, to that which lies before the altar of Monte Cassino and was wrought by Greek artisans of the abbot Desiderius. The church itself is held to be two centuries older than that of Patir.

The library, once celebrated, contains musty folios of classics and their commentators, but nothing of value.

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