Old Calabria By Norman Douglas














































































 -  Piety
conquers rough tracks, as old Bishop Paulinus sang, nearly fifteen
hundred years ago.

It is a vast picnic in - Page 117
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Piety Conquers Rough Tracks, As Old Bishop Paulinus Sang, Nearly Fifteen Hundred Years Ago.

It is a vast picnic in honour of the Virgin.

Two thousand persons are encamped about the chapel, amid a formidable army of donkeys and mules whose braying mingles with the pastoral music of reeds and bagpipes - bagpipes of two kinds, the common Calabrian variety and that of Basilicata, much larger and with a resounding base key, which will soon cease to exist. A heaving ebb and flow of humanity fills the eye; fires are flickering before extempore shelters, and an ungodly amount of food is being consumed, as traditionally prescribed for such occasions - "si mangia per divozione." On all sides picturesque groups of dancers indulge in the old peasants' measure, the percorara, to the droning of bagpipes - a demure kind of tarantella, the male capering about with faun-like attitudes of invitation and snappings of fingers, his partner evading the advances with downcast eyes. And the church meanwhile, is filled to overflowing; orations and services follow one another without interruption; the priests are having a busy time of it.

The rocky pathway between this chapel and the meadow is obstructed by folk and lined on either side with temporary booths of green branches, whose owners vociferously extol the merits of their wares - cloths, woollens, umbrellas, hot coffee, wine, fresh meat, fruit, vegetables (the spectre of cholera is abroad, but no one heeds) - as well as gold watches, rings and brooches, many of which will be bought ere to-morrow morning, in memory of to-night's tender meetings. The most interesting shops are those which display ex-votos, waxen reproductions of various ailing parts of the body which have been miraculously cured by the Virgin's intercession: arms, legs, fingers, breasts, eyes. There are also entire infants of wax. Strangest of all of them is a many-tinted and puzzling waxen symbol which sums up all the internal organs of the abdomen in one bold effort of artistic condensation; a kind of heraldic, materialized stomache-ache. I would have carried one away with me, had there been the slightest chance of its remaining unbroken. [Footnote: A good part of these, I dare say, arc intended to represent the enlarged spleen of malaria. In old Greece, says Dr. W. H. D. Rouse, votives of the trunk are commonest, after the eyes - malaria, again.]

These are the votive offerings which catch the visitor's eye in southern churches, and were beloved not only of heathendom, but of the neolithic gentry; a large deposit has been excavated at Taranto; the British Museum has some of marble, from Athens; others were of silver, but the majority terra-cotta. The custom must have entered Christianity in early ages, for already Theo-doret, who died in 427, says, "some bring images of eyes, others of feet, others of hands; and sometimes they are made of gold, sometimes of silver. These votive gifts testify to cure of maladies." Nowadays, when they become too numerous, they are melted down for candles; so Pericles, in some speech, talks of selling them for the benefit of the commonwealth.

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