Alone By Norman Douglas













































































 -  He was sound; he had escaped the contagion.
Those others, those many hundred thousand others in Switzerland and
America - they - Page 73
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He Was Sound; He Had Escaped The Contagion. Those Others, Those Many Hundred Thousand Others In Switzerland And America - They Can Nevermore Shake Off The Horrible Dead Ordinariness Of That Life Among Machines.

Future generations will hardly recognise the Italian race from our descriptions.

A new type is being formed, cold and loveless, with all the divinity drained out of them.

Having a long walk before me and being due home for luncheon, I rose to depart, and in so doing bestowed a vigorous kick upon Barone, in order to test the truth of his master's theory. It worked. The glowering and snarling ceased. He was a good dog - almost human. I think, with a few more kicks, he might have grown quite friendly.

Along that hot road the spectre of Zurich pursued me, in all its starkness. A land without atmosphere, and deficient in every element of the picturesque, whether of man or nature. Four harsh, dominant tones, which never overlap or intermingle: blue sky, white snow, black fir-woods, green fields, and, if you insist upon having a fifth, then take - yes, take and keep - that theatrical pink Alpengluehen which is turned on at fixed hours for the delectation of gaping tourists, like a tap of strontium light or the display of electric fluid at Schaffhausen Falls.

"Did you observe the illumination of the Falls, sir, last night?"

"How can one avoid seeing the beastly thing?"

"Ah! Then we must add two francs to the bill."

Many are the schools of art that have grown up in England and elsewhere and flourished side by side, vying with one another to express the protean graces of man, of architecture and domestic interior, of earth and sky and sea. Where is the Swiss school? Where, in any public gallery, will you find a masterpiece which triumphantly vindicates the charm of Swiss scenery? You will, find it vindicated only on condensed milk tins. These folks can write. My taste in lyrics may be peculiar, but I used to love my Leuthold - I wish I had him here at this moment; the bold strokes of Keller, the miniature work, the cameo-like touches, of C. F. Meyer - they can write! They would doubtless paint, were there anything to paint. Holbein: did the landscape of Switzerland seduce him? And Boecklin? He fled out of its welter of raw materialism. Even his Swiss landscapes are mediterraneanized. Boecklin - -

And here, as the name formulated itself, that little sprite of Brahms, that intermezzo, once more leapt to my side out of the parched fields. I imagine it came less for my sake than for the companionship of Boecklin. They were comrades in the spirit; they understood. What one had heard, the other beheld - shapes of mystery, that peer out of forest gloom and the blue hush of midday and out of glassy waters - shapes that shudder and laugh. No doubt you may detect a difference between Boecklin's creations and those of classic days; it is as if the light of his dreamings had filtered through some medium, some stained-glass window in a Gothic church which distorted their outlines and rendered them somewhat more grotesque. It is the hand of time. The world has aged. Yet the shapes are young; they do but change their clothes and follow the fashion in externals. They laugh as of old. How they laugh! No mortal can laugh so heartily. No mortal has such good cause. Theirs is not the serene mirth of Olympian spheres; it sounds demoniac, from the midway region. What are they laughing at, these cheerful monsters? At the greatest jest in the universe. At us....

That lake of Conterano - the accent is on the ante-penultima - it looked appetising on the map, all alone out there. It attracted me strongly. I pictured a placid expanse, an eye of blue, sleepily embowered among wooded glens and throwing upward the gleam of its calm waters. Lakes are so rare in Italy. During the whole of this summer I saw only one other, fringed with the common English reed - two, rather, lying side by side, one turbid and the other clear, and filling up two of those curious circular depressions in the limestone. I rode past them on the watershed behind Cineto Romano. These were sweet water. Of sulphur lakelets I also saw two.

Sitting on a stone into which the coldness of midnight had entered (Alatri lies at a good elevation) I awaited my companion in the dusk of dawn. Soon enough, I knew, we should both be roasted. This half-hour's shivering before sunrise in the square of Alatri, and listening to the plash of the fountain, is one of those memories of the town which are graven most clearly in my mind. I could point out, to-day, the very spot whereon I sat.

We wandered along the Ferentino road to begin with, profiting by some short cuts through chestnut woods; turned to the right, ever ascending, behind that strange village of Fumone, aloft on its symmetrical hill; thence by a mule-track onward. Many were the halts by the way. A decayed roadside chapel with faded frescoes - a shepherd who played us some melodies on his pipe - those wondrous red lilies, now in their prime, glowing like lamps among the dark green undergrowth - the gateway of a farmhouse being repaired - a reservoir of water full of newts - a fascinating old woman who told us something about something - the distant view upon the singular peak of Mount Cacume, they all gave us occasion for lingering. Why not loaf and loiter in June? The days are so endless!

At last, through a gap in the landscape, we saw the lake at our feet, simmering in the noonday beams - an everyday sheet of water, brown in colour, with muddy banks and seemingly not a scrap of shade within miles; one of those lakes which, by their periodical rising and sinking, give so much trouble that there is talk, equally periodical, of draining them off altogether.

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