Alone By Norman Douglas













































































 -  Is that the way to write
biography? 

Fortunately he has written himself down; so has Ramage; and it is
instructive - Page 37
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Is That The Way To Write "Biography"?

Fortunately he has written himself down; so has Ramage; and it is instructive to compare the wayside reflections of these

Two contemporaries as they rove about the ruins of Italy; the first, ardent Catholic, his horizon close-bounded by what the good fathers of Stonyhurst had seen fit to teach him; the other, less complacent, all alive indeed with Calvinistic disputatiousness and ready to embark upon bold speculations anent the origin of heathen gods and their modern representatives in the Church of Rome; amiable scholars and gentlemen, both of them; yet neither venturing to draw those plain conclusions which the "classic remains of paganism" would have forced upon anybody else - upon anybody, that is, who lacked their initial warp, whose mind had not been twisted in youth or divided, rather, into watertight compartments.

A long sentence....

Pisa

After a glacial journey - those English! They will not even give us coal for steam-heating - I arrived here. It is warmer, appreciably warmer. Yet I leave to-morrow or next day. The streets of the town, the distant beach of San Rossore and its pine trees - they are fraught with sad memories; memories of an autumn month in the early nineties. A city of ghosts....

The old hotel had put on a new face; freshly decorated, it wears none the less a poverty-stricken air. My dinner was bad and insufficient. One grows sick of those vile maccheroni made with war-time flour. The place is full of rigid officers taking themselves seriously. Odd, how a uniform can fill a simpleton with self-importance. What does Bacon say? I forget. Something apposite - something about the connection between military costumes and vanity. For the worst of this career is that it is liable to transform even a sensible man into a fool. I never see these sinister-clanking marionettes without feelings of distrust. They are the outward symbol of an atavistic striving: the modern infame. We have been dying for sometime past from over-legislation. Now we are caught in the noose. A bureaucracy is bad enough. A bureaucracy can at least be bribed. Militarism dries up even that little fount of the imagination.

Another twenty years of this, and we may be living in caves again; they came near it, at the end of the Thirty Years' War. Such a cataclysm as ours may account for the extinction of the great Cro-Magnon civilization - as fine a race, physically, as has yet appeared on earth; they too may have been afflicted with the plague of nationalism, unless, as is quite likely, that horrid work was accomplished by a microbe of some kind....

In the hour of evening, under a wintry sky amid whose darkly massed vapours a young moon is peering down upon this maddened world, I wander alone through deserted roadways towards that old solitary brick-tower. Here I stand, and watch the Arno rolling its sullen waves. In Pisa, at such an hour, the Arno is the emblem of Despair.

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