A man who has tried to remain a mere citizen of the world and refused to
squeeze himself into the narrow methods and aspirations of any epoch or
country, will discover that children correspond unconsciously to his
multifarious interests. They are not standardised. They are more
generous in their appreciations, more sensitive to pure ideas, more
impersonal. Their curiosity is disinterested. The stock may be
rudimentary, but the outlook is spacious; it is the passionless outlook
of the sage. A child is ready to embrace the universe. And, unlike
adults, he is never afraid to face his own limitations. How refreshing
to converse with folks who have no bile to vent, no axe to grind, no
prejudices to air; who are pagans to the core; who, uninitiated into the
false value of externals, never fail to size you up from a more
spiritual point of view than do their elders; who are not oozing
politics and sexuality, nor afflicted with some stupid ailment or other
which prevents them doing this and that. To be in contact with physical
health - it would alone suffice to render their society a dear delight,
quite apart from the fact that if you are wise and humble you may tiptoe
yourself, by inches, into fairyland.
That scarlet sash of hers set me thinking - thinking of the comparative
rarity of the colour red as an ingredient of the Italian panorama. The
natives seem to avoid it in their clothing, save among certain costumes
of the centre and south. You see little red in the internal decorations
of the houses - in their wallpapers, the coloured tiles underfoot, the
tapestries, table-services and carpets, though a certain fondness for
pink is manifest, and not only in Levanto. There is a gulf between pink
and red.
It is essentially a land of blue and its derivatives - cool, intellectual
tints. The azure sea follows you far inland with its gleams. Look
landwards from the water - purple Apennines are ever in sight. And up
yonder, among the hills, you will rarely escape from celestial hues.
Speaking of these mountains in a general way, they are bare masses whose
coloration trembles between misty blue and mauve according to distance,
light, and hour of day. As building-stone, the rock imparts a grey-blue
tint to the walls. The very flowers are blue; it is a peculiarity of
limestone formation, hitherto unexplained, to foster blooms of this
colour. Those olive-coloured slopes are of a glaucous tone.
Or wander through the streets of any town and examine the pottery
whether ancient or modern - sure index of national taste. Greens galore,
and blues and bilious yellows; seldom will you see warmer shades. And if
you do, it is probably Oriental or Siculo-Arabic work, or their
imitations.
One does not ask for wash-hand basins of sang-de-boeuf. One wonders,
merely, whether this avoidance of sanguine tints in the works of man be
an instinctive paraphrase of surrounding nature, or due to some cause
lying deep down in the roots of Italian temperament.
