Pictures From Italy By Charles Dickens












































































 -   There is a flaring country lamp on
the table; and, hovering about it, scratching her thick black hair
continually, a - Page 71
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There Is A Flaring Country Lamp On The Table; And, Hovering About It, Scratching Her Thick Black Hair Continually, A Yellow Dwarf Of A Woman, Who Stands On Tiptoe To Arrange The Hatchet Knives, And Takes A Flying Leap To Look Into The Water-Jug.

The beds in the adjoining rooms are of the liveliest kind.

There is not a solitary scrap of looking-glass in the house, and the washing apparatus is identical with the cooking utensils. But the yellow dwarf sets on the table a good flask of excellent wine, holding a quart at least; and produces, among half- a-dozen other dishes, two-thirds of a roasted kid, smoking hot. She is as good-humoured, too, as dirty, which is saying a great deal. So here's long life to her, in the flask of wine, and prosperity to the establishment.

Rome gained and left behind, and with it the Pilgrims who are now repairing to their own homes again--each with his scallop shell and staff, and soliciting alms for the love of God--we come, by a fair country, to the Falls of Terni, where the whole Velino river dashes, headlong, from a rocky height, amidst shining spray and rainbows. Perugia, strongly fortified by art and nature, on a lofty eminence, rising abruptly from the plain where purple mountains mingle with the distant sky, is glowing, on its market- day, with radiant colours. They set off its sombre but rich Gothic buildings admirably. The pavement of its market-place is strewn with country goods. All along the steep hill leading from the town, under the town wall, there is a noisy fair of calves, lambs, pigs, horses, mules, and oxen. Fowls, geese, and turkeys, flutter vigorously among their very hoofs; and buyers, sellers, and spectators, clustering everywhere, block up the road as we come shouting down upon them.

Suddenly, there is a ringing sound among our horses. The driver stops them. Sinking in his saddle, and casting up his eyes to Heaven, he delivers this apostrophe, 'Oh Jove Omnipotent! here is a horse has lost his shoe!'

Notwithstanding the tremendous nature of this accident, and the utterly forlorn look and gesture (impossible in any one but an Italian Vetturino) with which it is announced, it is not long in being repaired by a mortal Farrier, by whose assistance we reach Castiglione the same night, and Arezzo next day. Mass is, of course, performing in its fine cathedral, where the sun shines in among the clustered pillars, through rich stained-glass windows: half revealing, half concealing the kneeling figures on the pavement, and striking out paths of spotted light in the long aisles.

But, how much beauty of another kind is here, when, on a fair clear morning, we look, from the summit of a hill, on Florence! See where it lies before us in a sun-lighted valley, bright with the winding Arno, and shut in by swelling hills; its domes, and towers, and palaces, rising from the rich country in a glittering heap, and shining in the sun like gold!

Magnificently stern and sombre are the streets of beautiful Florence; and the strong old piles of building make such heaps of shadow, on the ground and in the river, that there is another and a different city of rich forms and fancies, always lying at our feet. Prodigious palaces, constructed for defence, with small distrustful windows heavily barred, and walls of great thickness formed of huge masses of rough stone, frown, in their old sulky state, on every street. In the midst of the city--in the Piazza of the Grand Duke, adorned with beautiful statues and the Fountain of Neptune--rises the Palazzo Vecchio, with its enormous overhanging battlements, and the Great Tower that watches over the whole town. In its court- yard--worthy of the Castle of Otranto in its ponderous gloom--is a massive staircase that the heaviest waggon and the stoutest team of horses might be driven up. Within it, is a Great Saloon, faded and tarnished in its stately decorations, and mouldering by grains, but recording yet, in pictures on its walls, the triumphs of the Medici and the wars of the old Florentine people. The prison is hard by, in an adjacent court-yard of the building--a foul and dismal place, where some men are shut up close, in small cells like ovens; and where others look through bars and beg; where some are playing draughts, and some are talking to their friends, who smoke, the while, to purify the air; and some are buying wine and fruit of women-vendors; and all are squalid, dirty, and vile to look at. 'They are merry enough, Signore,' says the jailer. 'They are all blood-stained here,' he adds, indicating, with his hand, three- fourths of the whole building. Before the hour is out, an old man, eighty years of age, quarrelling over a bargain with a young girl of seventeen, stabs her dead, in the market-place full of bright flowers; and is brought in prisoner, to swell the number.

Among the four old bridges that span the river, the Ponte Vecchio-- that bridge which is covered with the shops of Jewellers and Goldsmiths--is a most enchanting feature in the scene. The space of one house, in the centre, being left open, the view beyond is shown as in a frame; and that precious glimpse of sky, and water, and rich buildings, shining so quietly among the huddled roofs and gables on the bridge, is exquisite. Above it, the Gallery of the Grand Duke crosses the river. It was built to connect the two Great Palaces by a secret passage; and it takes its jealous course among the streets and houses, with true despotism: going where it lists, and spurning every obstacle away, before it.

The Grand Duke has a worthier secret passage through the streets, in his black robe and hood, as a member of the Compagnia della Misericordia, which brotherhood includes all ranks of men.

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