Within A
Quarter Of An Hour, The Whole Is Gone As If It Were A Vision In The
Clouds, And There Is Nothing But The Sea And Sky.
The Neapolitan frontier crossed, after two hours' travelling; and
the hungriest of soldiers and custom-house officers with difficulty
appeased; we enter, by a gateless portal, into the first Neapolitan
town--Fondi.
Take note of Fondi, in the name of all that is
wretched and beggarly.
A filthy channel of mud and refuse meanders down the centre of the
miserable streets, fed by obscene rivulets that trickle from the
abject houses. There is not a door, a window, or a shutter; not a
roof, a wall, a post, or a pillar, in all Fondi, but is decayed,
and crazy, and rotting away. The wretched history of the town,
with all its sieges and pillages by Barbarossa and the rest, might
have been acted last year. How the gaunt dogs that sneak about the
miserable streets, come to be alive, and undevoured by the people,
is one of the enigmas of the world.
A hollow-cheeked and scowling people they are! All beggars; but
that's nothing. Look at them as they gather round. Some, are too
indolent to come down-stairs, or are too wisely mistrustful of the
stairs, perhaps, to venture: so stretch out their lean hands from
upper windows, and howl; others, come flocking about us, fighting
and jostling one another, and demanding, incessantly, charity for
the love of God, charity for the love of the Blessed Virgin,
charity for the love of all the Saints. A group of miserable
children, almost naked, screaming forth the same petition, discover
that they can see themselves reflected in the varnish of the
carriage, and begin to dance and make grimaces, that they may have
the pleasure of seeing their antics repeated in this mirror. A
crippled idiot, in the act of striking one of them who drowns his
clamorous demand for charity, observes his angry counterpart in the
panel, stops short, and thrusting out his tongue, begins to wag his
head and chatter. The shrill cry raised at this, awakens half-a-
dozen wild creatures wrapped in frowsy brown cloaks, who are lying
on the church-steps with pots and pans for sale. These, scrambling
up, approach, and beg defiantly. 'I am hungry. Give me something.
Listen to me, Signor. I am hungry!' Then, a ghastly old woman,
fearful of being too late, comes hobbling down the street,
stretching out one hand, and scratching herself all the way with
the other, and screaming, long before she can be heard, 'Charity,
charity! I'll go and pray for you directly, beautiful lady, if
you'll give me charity!' Lastly, the members of a brotherhood for
burying the dead: hideously masked, and attired in shabby black
robes, white at the skirts, with the splashes of many muddy
winters: escorted by a dirty priest, and a congenial cross-bearer:
come hurrying past. Surrounded by this motley concourse, we move
out of Fondi: bad bright eyes glaring at us, out of the darkness
of every crazy tenement, like glistening fragments of its filth and
putrefaction.
A noble mountain-pass, with the ruins of a fort on a strong
eminence, traditionally called the Fort of Fra Diavolo; the old
town of Itri, like a device in pastry, built up, almost
perpendicularly, on a hill, and approached by long steep flights of
steps; beautiful Mola di Gaeta, whose wines, like those of Albano,
have degenerated since the days of Horace, or his taste for wine
was bad: which is not likely of one who enjoyed it so much, and
extolled it so well; another night upon the road at St. Agatha; a
rest next day at Capua, which is picturesque, but hardly so
seductive to a traveller now, as the soldiers of Praetorian Rome
were wont to find the ancient city of that name; a flat road among
vines festooned and looped from tree to tree; and Mount Vesuvius
close at hand at last!--its cone and summit whitened with snow; and
its smoke hanging over it, in the heavy atmosphere of the day, like
a dense cloud. So we go, rattling down hill, into Naples.
A funeral is coming up the street, towards us. The body, on an
open bier, borne on a kind of palanquin, covered with a gay cloth
of crimson and gold. The mourners, in white gowns and masks. If
there be death abroad, life is well represented too, for all Naples
would seem to be out of doors, and tearing to and fro in carriages.
Some of these, the common Vetturino vehicles, are drawn by three
horses abreast, decked with smart trappings and great abundance of
brazen ornament, and always going very fast. Not that their loads
are light; for the smallest of them has at least six people inside,
four in front, four or five more hanging on behind, and two or
three more, in a net or bag below the axle-tree, where they lie
half-suffocated with mud and dust. Exhibitors of Punch, buffo
singers with guitars, reciters of poetry, reciters of stories, a
row of cheap exhibitions with clowns and showmen, drums, and
trumpets, painted cloths representing the wonders within, and
admiring crowds assembled without, assist the whirl and bustle.
Ragged lazzaroni lie asleep in doorways, archways, and kennels; the
gentry, gaily dressed, are dashing up and down in carriages on the
Chiaji, or walking in the Public Gardens; and quiet letter-writers,
perched behind their little desks and inkstands under the Portico
of the Great Theatre of San Carlo, in the public street, are
waiting for clients.
Here is a galley-slave in chains, who wants a letter written to a
friend. He approaches a clerkly-looking man, sitting under the
corner arch, and makes his bargain. He has obtained permission of
the sentinel who guards him: who stands near, leaning against the
wall and cracking nuts. The galley-slave dictates in the ear of
the letter-writer, what he desires to say; and as he can't read
writing, looks intently in his face, to read there whether he sets
down faithfully what he is told.
Enter page number
PreviousNext
Page 63 of 72
Words from 63417 to 64453
of 73541
