Pictures From Italy By Charles Dickens












































































 -   The figures are immensely
large, and exaggerated to the utmost pitch of uncouthness; the
colouring is harsh and disagreeable; and - Page 35
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The Figures Are Immensely Large, And Exaggerated To The Utmost Pitch Of Uncouthness; The Colouring Is Harsh And Disagreeable; And

The whole effect more like (I should imagine) a violent rush of blood to the head of the spectator, than

Any real picture set before him by the hand of an artist. This apoplectic performance was shown by a sickly-looking woman, whose appearance was referable, I dare say, to the bad air of the marshes; but it was difficult to help feeling as if she were too much haunted by the Giants, and they were frightening her to death, all alone in that exhausted cistern of a Palace, among the reeds and rushes, with the mists hovering about outside, and stalking round and round it continually.

Our walk through Mantua showed us, in almost every street, some suppressed church: now used for a warehouse, now for nothing at all: all as crazy and dismantled as they could be, short of tumbling down bodily. The marshy town was so intensely dull and flat, that the dirt upon it seemed not to have come there in the ordinary course, but to have settled and mantled on its surface as on standing water. And yet there were some business-dealings going on, and some profits realising; for there were arcades full of Jews, where those extraordinary people were sitting outside their shops, contemplating their stores of stuffs, and woollens, and bright handkerchiefs, and trinkets: and looking, in all respects, as wary and business-like, as their brethren in Houndsditch, London.

Having selected a Vetturino from among the neighbouring Christians, who agreed to carry us to Milan in two days and a half, and to start, next morning, as soon as the gates were opened, I returned to the Golden Lion, and dined luxuriously in my own room, in a narrow passage between two bedsteads: confronted by a smoky fire, and backed up by a chest of drawers. At six o'clock next morning, we were jingling in the dark through the wet cold mist that enshrouded the town; and, before noon, the driver (a native of Mantua, and sixty years of age or thereabouts) began TO ASK THE WAY to Milan.

It lay through Bozzolo; formerly a little republic, and now one of the most deserted and poverty-stricken of towns: where the landlord of the miserable inn (God bless him! it was his weekly custom) was distributing infinitesimal coins among a clamorous herd of women and children, whose rags were fluttering in the wind and rain outside his door, where they were gathered to receive his charity. It lay through mist, and mud, and rain, and vines trained low upon the ground, all that day and the next; the first sleeping- place being Cremona, memorable for its dark brick churches, and immensely high tower, the Torrazzo--to say nothing of its violins, of which it certainly produces none in these degenerate days; and the second, Lodi. Then we went on, through more mud, mist, and rain, and marshy ground: and through such a fog, as Englishmen, strong in the faith of their own grievances, are apt to believe is nowhere to be found but in their own country, until we entered the paved streets of Milan.

The fog was so dense here, that the spire of the far-famed Cathedral might as well have been at Bombay, for anything that could be seen of it at that time. But as we halted to refresh, for a few days then, and returned to Milan again next summer, I had ample opportunities of seeing the glorious structure in all its majesty and beauty.

All Christian homage to the saint who lies within it! There are many good and true saints in the calendar, but San Carlo Borromeo has--if I may quote Mrs. Primrose on such a subject--'my warm heart.' A charitable doctor to the sick, a munificent friend to the poor, and this, not in any spirit of blind bigotry, but as the bold opponent of enormous abuses in the Romish church, I honour his memory. I honour it none the less, because he was nearly slain by a priest, suborned, by priests, to murder him at the altar: in acknowledgment of his endeavours to reform a false and hypocritical brotherhood of monks. Heaven shield all imitators of San Carlo Borromeo as it shielded him! A reforming Pope would need a little shielding, even now.

The subterranean chapel in which the body of San Carlo Borromeo is preserved, presents as striking and as ghastly a contrast, perhaps, as any place can show. The tapers which are lighted down there, flash and gleam on alti-rilievi in gold and silver, delicately wrought by skilful hands, and representing the principal events in the life of the saint. Jewels, and precious metals, shine and sparkle on every side. A windlass slowly removes the front of the altar; and, within it, in a gorgeous shrine of gold and silver, is seen, through alabaster, the shrivelled mummy of a man: the pontifical robes with which it is adorned, radiant with diamonds, emeralds, rubies: every costly and magnificent gem. The shrunken heap of poor earth in the midst of this great glitter, is more pitiful than if it lay upon a dung-hill. There is not a ray of imprisoned light in all the flash and fire of jewels, but seems to mock the dusty holes where eyes were, once. Every thread of silk in the rich vestments seems only a provision from the worms that spin, for the behoof of worms that propagate in sepulchres.

In the old refectory of the dilapidated Convent of Santa Maria delle Grazie, is the work of art, perhaps, better known than any other in the world: the Last Supper, by Leonardo da Vinci--with a door cut through it by the intelligent Dominican friars, to facilitate their operations at dinner-time.

I am not mechanically acquainted with the art of painting, and have no other means of judging of a picture than as I see it resembling and refining upon nature, and presenting graceful combinations of forms and colours.

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