And, In The Dream, I Thought That
Shakespeare's Spirit Was Abroad Upon The Water Somewhere:
Stealing
through the city.
At night, when two votive lamps burnt before an image of the
Virgin, in a gallery outside the great cathedral, near the roof, I
fancied that the great piazza of the Winged Lion was a blaze of
cheerful light, and that its whole arcade was thronged with people;
while crowds were diverting themselves in splendid coffee-houses
opening from it--which were never shut, I thought, but open all
night long. When the bronze giants struck the hour of midnight on
the bell, I thought the life and animation of the city were all
centred here; and as I rowed away, abreast the silent quays, I only
saw them dotted, here and there, with sleeping boatmen wrapped up
in their cloaks, and lying at full length upon the stones.
But close about the quays and churches, palaces and prisons sucking
at their walls, and welling up into the secret places of the town:
crept the water always. Noiseless and watchful: coiled round and
round it, in its many folds, like an old serpent: waiting for the
time, I thought, when people should look down into its depths for
any stone of the old city that had claimed to be its mistress.
Thus it floated me away, until I awoke in the old market-place at
Verona. I have, many and many a time, thought since, of this
strange Dream upon the water: half-wondering if it lie there yet,
and if its name be VENICE.
CHAPTER VIII--BY VERONA, MANTUA, AND MILAN, ACROSS THE PASS OF THE
SIMPLON INTO SWITZERLAND
I had been half afraid to go to Verona, lest it should at all put
me out of conceit with Romeo and Juliet. But, I was no sooner come
into the old market-place, than the misgiving vanished. It is so
fanciful, quaint, and picturesque a place, formed by such an
extraordinary and rich variety of fantastic buildings, that there
could be nothing better at the core of even this romantic town:
scene of one of the most romantic and beautiful of stories.
It was natural enough, to go straight from the Market-place, to the
House of the Capulets, now degenerated into a most miserable little
inn. Noisy vetturini and muddy market-carts were disputing
possession of the yard, which was ankle-deep in dirt, with a brood
of splashed and bespattered geese; and there was a grim-visaged
dog, viciously panting in a doorway, who would certainly have had
Romeo by the leg, the moment he put it over the wall, if he had
existed and been at large in those times. The orchard fell into
other hands, and was parted off many years ago; but there used to
be one attached to the house--or at all events there may have,
been,--and the hat (Cappello) the ancient cognizance of the family,
may still be seen, carved in stone, over the gateway of the yard.
The geese, the market-carts, their drivers, and the dog, were
somewhat in the way of the story, it must be confessed; and it
would have been pleasanter to have found the house empty, and to
have been able to walk through the disused rooms. But the hat was
unspeakably comfortable; and the place where the garden used to be,
hardly less so. Besides, the house is a distrustful, jealous-
looking house as one would desire to see, though of a very moderate
size. So I was quite satisfied with it, as the veritable mansion
of old Capulet, and was correspondingly grateful in my
acknowledgments to an extremely unsentimental middle-aged lady, the
Padrona of the Hotel, who was lounging on the threshold looking at
the geese; and who at least resembled the Capulets in the one
particular of being very great indeed in the 'Family' way.
From Juliet's home, to Juliet's tomb, is a transition as natural to
the visitor, as to fair Juliet herself, or to the proudest Juliet
that ever has taught the torches to burn bright in any time. So, I
went off, with a guide, to an old, old garden, once belonging to an
old, old convent, I suppose; and being admitted, at a shattered
gate, by a bright-eyed woman who was washing clothes, went down
some walks where fresh plants and young flowers were prettily
growing among fragments of old wall, and ivy-coloured mounds; and
was shown a little tank, or water-trough, which the bright-eyed
woman--drying her arms upon her 'kerchief, called 'La tomba di
Giulietta la sfortunata.' With the best disposition in the world
to believe, I could do no more than believe that the bright-eyed
woman believed; so I gave her that much credit, and her customary
fee in ready money. It was a pleasure, rather than a
disappointment, that Juliet's resting-place was forgotten. However
consolatory it may have been to Yorick's Ghost, to hear the feet
upon the pavement overhead, and, twenty times a day, the repetition
of his name, it is better for Juliet to lie out of the track of
tourists, and to have no visitors but such as come to graves in
spring-rain, and sweet air, and sunshine.
Pleasant Verona! With its beautiful old palaces, and charming
country in the distance, seen from terrace walks, and stately,
balustraded galleries. With its Roman gates, still spanning the
fair street, and casting, on the sunlight of to-day, the shade of
fifteen hundred years ago. With its marble-fitted churches, lofty
towers, rich architecture, and quaint old quiet thoroughfares,
where shouts of Montagues and Capulets once resounded,
And made Verona's ancient citizens
Cast by their grave, beseeming ornaments,
To wield old partizans.
With its fast-rushing river, picturesque old bridge, great castle,
waving cypresses, and prospect so delightful, and so cheerful!
Pleasant Verona!
In the midst of it, in the Piazza di Bra--a spirit of old time
among the familiar realities of the passing hour--is the great
Roman Amphitheatre.
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