Pictures From Italy By Charles Dickens












































































 -  {2}

Again, an ancient sombre town, under the brilliant sky; with heavy
arcades over the footways of the older streets - Page 27
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{2} Again, An Ancient Sombre Town, Under The Brilliant Sky; With Heavy Arcades Over The Footways Of The Older Streets, And Lighter And More Cheerful Archways In The Newer Portions Of The Town.

Again, brown piles of sacred buildings, with more birds flying in and out of chinks in the stones; and more snarling monsters for the bases of the pillars.

Again, rich churches, drowsy Masses, curling incense, tinkling bells, priests in bright vestments: pictures, tapers, laced altar cloths, crosses, images, and artificial flowers.

There is a grave and learned air about the city, and a pleasant gloom upon it, that would leave it, a distinct and separate impression in the mind, among a crowd of cities, though it were not still further marked in the traveller's remembrance by the two brick leaning towers (sufficiently unsightly in themselves, it must be acknowledged), inclining cross-wise as if they were bowing stiffly to each other--a most extraordinary termination to the perspective of some of the narrow streets. The colleges, and churches too, and palaces: and above all the academy of Fine Arts, where there are a host of interesting pictures, especially by GUIDO, DOMENICHINO, and LUDOVICO CARACCI: give it a place of its own in the memory. Even though these were not, and there were nothing else to remember it by, the great Meridian on the pavement of the church of San Petronio, where the sunbeams mark the time among the kneeling people, would give it a fanciful and pleasant interest.

Bologna being very full of tourists, detained there by an inundation which rendered the road to Florence impassable, I was quartered up at the top of an hotel, in an out-of-the-way room which I never could find: containing a bed, big enough for a boarding-school, which I couldn't fall asleep in. The chief among the waiters who visited this lonely retreat, where there was no other company but the swallows in the broad eaves over the window, was a man of one idea in connection with the English; and the subject of this harmless monomania, was Lord Byron. I made the discovery by accidentally remarking to him, at breakfast, that the matting with which the floor was covered, was very comfortable at that season, when he immediately replied that Milor Beeron had been much attached to that kind of matting. Observing, at the same moment, that I took no milk, he exclaimed with enthusiasm, that Milor Beeron had never touched it. At first, I took it for granted, in my innocence, that he had been one of the Beeron servants; but no, he said, no, he was in the habit of speaking about my Lord, to English gentlemen; that was all. He knew all about him, he said. In proof of it, he connected him with every possible topic, from the Monte Pulciano wine at dinner (which was grown on an estate he had owned), to the big bed itself, which was the very model of his. When I left the inn, he coupled with his final bow in the yard, a parting assurance that the road by which I was going, had been Milor Beeron's favourite ride; and before the horse's feet had well begun to clatter on the pavement, he ran briskly up-stairs again, I dare say to tell some other Englishman in some other solitary room that the guest who had just departed was Lord Beeron's living image.

I had entered Bologna by night--almost midnight--and all along the road thither, after our entrance into the Papal territory: which is not, in any part, supremely well governed, Saint Peter's keys being rather rusty now; the driver had so worried about the danger of robbers in travelling after dark, and had so infected the brave Courier, and the two had been so constantly stopping and getting up and down to look after a portmanteau which was tied on behind, that I should have felt almost obliged to any one who would have had the goodness to take it away. Hence it was stipulated, that, whenever we left Bologna, we should start so as not to arrive at Ferrara later than eight at night; and a delightful afternoon and evening journey it was, albeit through a flat district which gradually became more marshy from the overflow of brooks and rivers in the recent heavy rains.

At sunset, when I was walking on alone, while the horses rested, I arrived upon a little scene, which, by one of those singular mental operations of which we are all conscious, seemed perfectly familiar to me, and which I see distinctly now. There was not much in it. In the blood red light, there was a mournful sheet of water, just stirred by the evening wind; upon its margin a few trees. In the foreground was a group of silent peasant girls leaning over the parapet of a little bridge, and looking, now up at the sky, now down into the water; in the distance, a deep bell; the shade of approaching night on everything. If I had been murdered there, in some former life, I could not have seemed to remember the place more thoroughly, or with a more emphatic chilling of the blood; and the mere remembrance of it acquired in that minute, is so strengthened by the imaginary recollection, that I hardly think I could forget it.

More solitary, more depopulated, more deserted, old Ferrara, than any city of the solemn brotherhood! The grass so grows up in the silent streets, that any one might make hay there, literally, while the sun shines. But the sun shines with diminished cheerfulness in grim Ferrara; and the people are so few who pass and re-pass through the places, that the flesh of its inhabitants might be grass indeed, and growing in the squares.

I wonder why the head coppersmith in an Italian town, always lives next door to the Hotel, or opposite: making the visitor feel as if the beating hammers were his own heart, palpitating with a deadly energy!

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