If Pisa Be The Seventh Wonder Of The World In Right Of Its Tower,
It May Claim To Be, At Least, The Second Or Third In Right Of Its
Beggars.
They waylay the unhappy visitor at every turn, escort him
to every door he enters at, and lie in
Wait for him, with strong
reinforcements, at every door by which they know he must come out.
The grating of the portal on its hinges is the signal for a general
shout, and the moment he appears, he is hemmed in, and fallen on,
by heaps of rags and personal distortions. The beggars seem to
embody all the trade and enterprise of Pisa. Nothing else is
stirring, but warm air. Going through the streets, the fronts of
the sleepy houses look like backs. They are all so still and
quiet, and unlike houses with people in them, that the greater part
of the city has the appearance of a city at daybreak, or during a
general siesta of the population. Or it is yet more like those
backgrounds of houses in common prints, or old engravings, where
windows and doors are squarely indicated, and one figure (a beggar
of course) is seen walking off by itself into illimitable
perspective.
Not so Leghorn (made illustrious by SMOLLETT'S grave), which is a
thriving, business-like, matter-of-fact place, where idleness is
shouldered out of the way by commerce. The regulations observed
there, in reference to trade and merchants, are very liberal and
free; and the town, of course, benefits by them.
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