I'll Go And Pray For You Directly, Beautiful Lady, If You'll Give Me Charity!' Lastly, The Members Of A Brotherhood For Burying The Dead:

Hideously masked, and attired in shabby black robes, white at the skirts, with the splashes of many muddy winters:

Escorted by a dirty priest, and a congenial cross-bearer: come hurrying past. Surrounded by this motley concourse, we move out of Fondi: bad bright eyes glaring at us, out of the darkness of every crazy tenement, like glistening fragments of its filth and putrefaction.

A noble mountain-pass, with the ruins of a fort on a strong eminence, traditionally called the Fort of Fra Diavolo; the old town of Itri, like a device in pastry, built up, almost perpendicularly, on a hill, and approached by long steep flights of steps; beautiful Mola di Gaeta, whose wines, like those of Albano, have degenerated since the days of Horace, or his taste for wine was bad: which is not likely of one who enjoyed it so much, and extolled it so well; another night upon the road at St. Agatha; a rest next day at Capua, which is picturesque, but hardly so seductive to a traveller now, as the soldiers of Praetorian Rome were wont to find the ancient city of that name; a flat road among vines festooned and looped from tree to tree; and Mount Vesuvius close at hand at last!--its cone and summit whitened with snow; and its smoke hanging over it, in the heavy atmosphere of the day, like a dense cloud. So we go, rattling down hill, into Naples.

A funeral is coming up the street, towards us. The body, on an open bier, borne on a kind of palanquin, covered with a gay cloth of crimson and gold. The mourners, in white gowns and masks. If there be death abroad, life is well represented too, for all Naples would seem to be out of doors, and tearing to and fro in carriages. Some of these, the common Vetturino vehicles, are drawn by three horses abreast, decked with smart trappings and great abundance of brazen ornament, and always going very fast. Not that their loads are light; for the smallest of them has at least six people inside, four in front, four or five more hanging on behind, and two or three more, in a net or bag below the axle-tree, where they lie half-suffocated with mud and dust. Exhibitors of Punch, buffo singers with guitars, reciters of poetry, reciters of stories, a row of cheap exhibitions with clowns and showmen, drums, and trumpets, painted cloths representing the wonders within, and admiring crowds assembled without, assist the whirl and bustle. Ragged lazzaroni lie asleep in doorways, archways, and kennels; the gentry, gaily dressed, are dashing up and down in carriages on the Chiaji, or walking in the Public Gardens; and quiet letter-writers, perched behind their little desks and inkstands under the Portico of the Great Theatre of San Carlo, in the public street, are waiting for clients.

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