The Orange-Trees And Fine Dutch Bays Are Placed Within The Arches Of The Building Under The First Floor; So That The Lower Part Of The House Was All One As A Greenhouse For Sometime.

Here stand advanced, on two pedestals of stone, two marble vases or flower-pots of most exquisite workmanship--the one done by an Englishman, and the other by a German.

It is hard to say which is the best performance, though the doing of it was a kind of trial of skill between them; but it gives us room, without any partiality, to say they were both masters of their art.

The PARTERRE on that side descends from the terrace-walk by steps, and on the left a terrace goes down to the water-side, from which the garden on the eastward front is overlooked, and gives a most pleasant prospect.

The fine scrolls and BORDURE of these gardens were at first edged with box, but on the queen's disliking the smell those edgings were taken up, but have since been planted again--at least, in many places--nothing making so fair and regular an edging as box, or is so soon brought to its perfection.

On the north side of the house, where the gardens seemed to want screening from the weather or the view of the chapel, and some part of the old building required to be covered from the eye, the vacant ground, which was large, is very happily cast into a wilderness, with a labyrinth and ESPALIERS so high that they effectually take off all that part of the old building which would have been offensive to the sight. This labyrinth and wilderness is not only well designed, and completely finished, but is perfectly well kept, and the ESPALIERS filled exactly at bottom, to the very ground, and are led up to proportioned heights on the top, so that nothing of that kind can be more beautiful.

The house itself is every way answerable on the outside to the beautiful prospect, and the two fronts are the largest and, beyond comparison, the finest of the kind in England. The great stairs go up from the second court of the palace on the right hand, and lead you to the south prospect.

I hinted in my last that King William brought into England the love of fine paintings as well as that of fine gardens; and you have an example of it in the cartoons, as they are called, being five pieces of such paintings as, if you will believe men of nice judgment and great travelling, are not to be matched in Europe. The stories are known, but especially two of them--viz., that of St. Paul preaching on Mars Hill to the self-wise Athenians, and that of St. Peter passing sentence of death on Ananias--I say, these two strike the mind with the utmost surprise, the passions are so drawn to the life; astonishment, terror, and death in the face of Ananias, zeal and a sacred fire in the eyes of the blessed Apostle, fright and surprise upon the countenances of the beholders in the piece of Ananias; all these describe themselves so naturally that you cannot but seem to discover something of the like passions, even in seeing them.

In the other there is the boldness and courage with which St. Paul undertook to talk to a set of men who, he knew, despised all the world, as thinking themselves able to teach them anything. In the audience there is anticipating pride and conceit in some, a smile or fleer of contempt in others, but a kind of sensible conviction, though crushed in its beginning, on the faces of the rest; and all together appear confounded, but have little to say, and know nothing at all of it; they gravely put him off to hear him another time; all these are seen here in the very dress of the face--that is, the very countenances which they hold while they listen to the new doctrine which the Apostle preached to a people at that time ignorant of it.

The other of the cartoons are exceeding fine but I mention these as the particular two which are most lively, which strike the fancy the soonest at first view. It is reported, but with what truth I know not, that the late French king offered an hundred thousand LOUIS D'ORS for these pictures; but this, I say, is but a report. The king brought a great many other fine pieces to England, and with them the love of fine paintings so universally spread itself among the nobility and persons of figure all over the kingdom that it is incredible what collections have been made by English gentlemen since that time, and how all Europe has been rummaged, as we may say, for pictures to bring over hither, where for twenty years they yielded the purchasers, such as collected them for sale, immense profit. But the rates are abated since that, and we begin to be glutted with the copies and frauds of the Dutch and Flemish painters who have imposed grossly upon us. But to return to the palace of Hampton Court. Queen Mary lived not to see it completely finished, and her death, with the other difficulties of that reign, put a stop to the works for some time till the king, reviving his good liking of the place, set them to work again, and it was finished as we see it. But I have been assured that had the peace continued, and the king lived to enjoy the continuance of it, his Majesty had resolved to have pulled down all the remains of the old building (such as the chapel and the large court within the first gate), and to have built up the whole palace after the manner of those two fronts already done. In these would have been an entire set of rooms of state for the receiving and, if need had been, lodging and entertaining any foreign prince with his retinue; also offices for all the Secretaries of State, Lords of the Treasury, and of Trade, to have repaired to for the despatch of such business as it might be necessary to have done there upon the king's longer residence there than ordinary; as also apartments for all the great officers of the Household; so that had the house had two great squares added, as was designed, there would have been no room to spare, or that would not have been very well filled.

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